Pet Shop Boys Disco

Disco (1986). Released at the height of dance-pop in 1986, the Pet Shop Boys' remix album Disco defiantly asserted the roots of the current trend with the title. And with its long remixes, Disco is designed to be pumped at a dancefloor. As casual listening, it gets a bit tedious, but even at these extended lengths, the melodic craft of the Pet Shop Boys' material shines through…

Disco is the first remix album by English synth-pop duo Pet Shop Boys, released on 17 November 1986 by Parlophone in the United Kingdom and by EMI America Records in the United States. Disco consists of remixes of tracks from the band's debut album Please and its respective B-sides…

As a title, Bilingual is a double-edged sword. Disregard its sexual connotations and concentrate on its musical implications - Bilingual is a rich, diverse album that delves deeply into Latin rhythms. It's not a crass, simplistic fusion, where the polyphonic rhythms are simply grafted over synthesizers and a disco pulse. Instead, Bilingual is an enormously subtle album, with shifting rhythms and graceful, understated melodies. The music isn't the only thing subtle about the album - Neil Tennant's voice and lyrics are nuanced, suggesting more than they actually say. Furthermore, Bilingual consists of the most optimistic, happy set of songs the Pet Shop Boys have ever recorded…

"Actually" debuted at the number 2 on the UK Albums Chart upon its release in 1987. The album was produced by Julian Mendelsohn, Stephen Hague, Shep Pettibone, Andy Richards and Pet Shop Boys. This period saw Pet Shop Boys reach new critical and commercial heights with three number one singles, "It’s a Sin", "Always on My mind" and "Heart", and "What Have I Done To Deserve This?", their number two single featuring Dusty Springfield.
The "Catalogue" re-issue of "Actually" includes the remastered original album with the 2-CD album features bonus material including the Shep Pettibone mix of ‘Heart’, and demo versions and alternative mixes of tracks including "One More Chance" and "Always On My Mind".

"Se a vida é (That's the Way Life Is)" is a song by English synth-pop duo Pet Shop Boys, released on 12 August 1996 as the second single from their sixth studio album, Bilingual (1996). The single was one of the most widely played records on UK radio in 1996, and peaked at number eight on the UK Singles Chart. It also reached the top five in Czech Republic, Finland, Hungary and Spain, and the top 10 in Denmark. In the United States, the single was released on 1 April 1997 by Atlantic Records as a double A-side with "To Step Aside".

"Memory Of The Future" is the third single from the album "Elysium".
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…

"Leaving" is the second single from the album "Elysium".
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…

"Love Etc." is a song by English synth-pop duo Pet Shop Boys from their tenth studio album, Yes (2009). It was released on 16 March 2009 as the album's lead single.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…

"Thursday" is a song by English synth-pop duo Pet Shop Boys, featuring vocals from English singer and rapper Example. It was released on 4 November 2013 as the fourth single from the Pet Shop Boys' twelfth studio album, Electric (2013). The song reached number 61 on the UK Singles Chart and is the highest-charting single from the album.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms…

"Winner" is a song by English synth-pop duo Pet Shop Boys, released as the lead single from their eleventh studio album, Elysium (2012).
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…