Pete Keep on Working

The Belmonts are an American doo-wop group from the Bronx, New York, that originated in the mid-1950s. The original group consisted of Fred Milano, Angelo D'Aleo, and Carlo Mastrangelo. They took their name from Belmont Avenue, the street Milano lived on. There were several stages in their history, including the 1958–1960 period with Dion DiMucci, when the group was named Dion and the Belmonts. At this time Mastrangelo sang the bass parts, Milano the second tenor, D'Aleo the falsetto, and DiMucci did lead vocals. With Dion they scored such hits as 'A Teenager in Love' (No 5) but this was a short relationship & after Dion went solo, they continued to gain hits with such songs as 'Tell Me Why' (No 18), 'Come on Little Angel' (No 28)…

The early days of the Kinks saw a band run ragged by the onset of newfound superstardom. The Kinks hit the ground running at an exhausting pace in 1964, with a relentless schedule of touring, recording, and various on-air interviews and performances that would keep them in the charts and jet-lagged until an eventual slowing down into the '70s and '80s…

Singer/songwriter Joe South (born Joe Souter) began his career as a country musician, performing on an Atlanta radio station and joining Pete Drake's band in 1957. The following year, he recorded a novelty single, "The Purple People Eater Meets the Witch Doctor," and became a session musician in Nashville and at Muscle Shoals. South appeared on records by Marty Robbins, Eddy Arnold, Aretha Franklin, Wilson Pickett, Bob Dylan (Blonde on Blonde), and Simon & Garfunkel ("The Sounds of Silence"). During the '60s, South began working on his songwriting, crafting hits for Deep Purple ("Hush") and several for Billy Joe Royal, including "Down in the Boondocks." South began recording his own material in 1968, scoring a hit with the Grammy-winning "Games People Play" (Song of the Year) the following year. While South produced hits like "Don't It Make You Want to Go Home" and "Walk a Mile in My Shoes," Lynn Anderson had a smash country and pop hit in 1971 with South's "(I Never Promised You a) Rose Garden."

Sonny Rollins Quartet: Jazz Jamboree video It was beautifully filmed (in color) at the Jazz Jamboree Festival in Warsaw, Poland, during Rollins' first trip behind the Iron Curtain. Sonny Rollins Quartet: Jazz Jamboree film He plays here with his regular group of this period. Sonny Rollins Quartet: Jazz Jamboree review Pianist Mark Soskin and bassist Jerome Harris had first recorded with Sonny in April 1978, when both were professionally recorded live with the saxophonist in San Francisco, as part of a sextet that also included Donald Byrd on trumpet, Tony Williams on drums and Aurell Ray on electric guitar. Also features clips from a San Francisco performance that was also Jerome Harris'first collaboration with Rollins.

The Four Freshmen were one of the top vocal groups of the 1950s, and formed the bridge between '40s ensembles like the Mel-Tones and harmony-based rock & roll bands such as the Beach Boys as well as groups like Spanky & Our Gang and the Manhattan Transfer. The group's roots go back to the end of the 1940s and a barbershop quartet-influenced outfit called Hal's Harmonizers, organized at the Arthur Jordan Conservatory of Butler University in Indiana by two brothers, Ross and Don Barbour.

Hoick is the solo album from Allo Darlin’ drummer Mikey Collins, who combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin' member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin & sonic expansiveness, aided by co-producer John Winfield (who has worked with Jimmy Somerville), with the aim of making a record that people stood a chance of being able to dance to. To create this eclectic sound, Mikey draws on influences as far flung as Dexy's Midnight Runners, Bruce Springsteen & Todd Rundgren as well as more current artists such as Night Works, Matthew E White and Father John Misty.

Tom Waits - Used Songs 1973-1980 (2001) {Elektra–Rhino 8122-78351-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 402 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 300 dpi (jpg) -> 40 Mb | 5% repair rar
© 1973-80, 2001 Asylum / Elektra / Rhino / Warner | 8122-78351-2
Rock / Blues / Blues Rock / Singer-Songwriter

Rhino's fine 16-track collection Used Songs (1973-1980) chronicles Tom Waits' first seven albums, all recorded for Asylum Records. This contains pretty much all his staples from the '70s – "Heartattack and Vine," "Burma Shave," "Ol' 55," "Jersey Girl," "(Looking For) The Heart of Saturday Night," and "Tom Traubert's Blues" among them – sequenced not chronologically, but sequenced for maximum impact. Given the sheer amount of music Waits made for Asylum, it shouldn't be surprising that there are some fan favorites missing, but there are no complaints with what is here, and this provides a near-perfect encapsulation of his pre-Island years, especially for those only familiar with the Island recordings.