Peter Attia Early

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Pianist Peter Jablonski's second album on Ondine features a large selection of piano works by Alexey Stanchinsky (1888-1914), one of the most talented Russian composers of the early 20th Century. Stanchinsky was not only a talent but a genuine innovator who despite of his early death had a profound influence on the generation of composers to follow. Peter Jablonski is the perfect interpreter to these magnificent gems.

Hammill began work on The Fall of the House of Usher back in the early '70s, yet it didn't see the light of day until the early '90s as a hard-to-find European import. He didn't feel it was completely finished until 1991; hence its elongated delay. This rock opera is comprised of six acts, and is based on an Edgar Allan Poe tale with small changes to the story here and there…

UK compilation from the veteran band spotlighting their early years as a British Blues outfit under the guidance of guitarist Peter Green…

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Hindemith - Violin Concerto & Sonatas - Frank Peter Zimmermann (2013) {BIS-2024}
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© 2013 BIS Records | BIS-202
Classical / Early 20th Century / Chamber Music / Concerto

The music of Paul Hindemith can't be called crowd-pleasing. Even the overtly radical works of Schoenberg and Webern carried well-defined innovations that listeners might be excited by or reject, but with Hindemith there's always the sense that he is experimenting with the solution to a new problem each time out. Of course, this can just as easily be a stimulating challenge as a problem, and this collection of works for a single instrument from across Hindemith's career provides a good way into his music.

Following their début album, Belle Époque, the Orsino Ensemble turns its attention to music from Bohemia. There is a strong tradition of Czech wind playing, and hence a wealth of great repertoire on which to draw. Antoine Reicha was a contemporary (and friend) of Beethoven. His E flat Quintet, published in 1817, demonstrates his harmonic ingenuity and talent for idiomatic instrumental writing. Mládí, described by Janácek as ‘…a sort of memoir of youth’, was composed in 1924 in celebration of the composer’s own seventieth birthday, and the mood of the piece is optimistic throughout.

Countless blues-rock guitar greats emerged during the late '60s – the most recognizable names being Jimi Hendrix and Eric Clapton. But one who usually gets overlooked is the great Peter Green, who led Fleetwood Mac early in their career…