Peter Gabriel 1

For anyone who hasn't heard PETER GABRIEL, this is an interesting and rewarding place to start.
On the 'Play' DVD PETER GABRIEL provides what in effect is a 'greatest hits' compilation, with the added bonus of consistently excellent videos. Normally there is considerable dispute about the selection for such compilation albums, but it's hard to think of tracks that ought to have been included. These are not necessarily GABRIEL'S best tracks, but they are representative of his career…

After three eponymous discs noteworthy for their thematic richness and musical experimentation, Peter Gabriel yielded to conventional wisdom by actually titling this 1982 successor. In every other respect, however, Security was another stride beyond the progressive rock terrain Gabriel had explored from Genesis forward. Most crucially, he goes deeper into the heart of world music, and further investigates the African sources first invoked on the prior album's magisterial track, "Biko." …

Excellent addition to any prog rock music collection
This is the first album by Peter Gabriel. It is not extremely progressive. There are omnipresent aggressive rock guitars. “Moribund The Burgermeister” still has some “Lamb lies down on Broadway” influences, especially the miscellaneous original vocal expressions provided by Gabriel himself.

In 1997, Peter Gabriel was asked to pilot a visual project for London's Millennium Dome. OVO is a work based on the intersecting problems of race relations, environmental concerns, family issues, and fairy tales as allegories, violence, and more…

Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him coming into his own, crafting an album that's artier, stronger, more song-oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. For an album so popular, it's remarkably bleak, chilly, and dark – even radio favorites like "I Don't Remember" and "Games Without Frontiers" are hardly cheerful, spiked with paranoia and suspicion, insulated in introspection…

Peter Gabriel tells why he left Genesis in "Solsbury Hill," the key track on his 1977 solo debut. Majestically opening with an acoustic guitar, the song finds Gabriel's talents gelling, as the words and music feed off each other, turning into true poetry. It stands out dramatically on this record, not because the music doesn't work, but because it brilliantly illustrates why Gabriel had to fly on his own…

New Blood Live In London captures Peter Gabriel performing live with the 46 piece New Blood Orchestra. The repertoire mixes cover versions from his Scratch My Back album with classic tracks from across his solo career in brand new orchestral arrangements…