Altoists Phil Woods and Gene Quill always made for a mutually inspiring team. Both of the similar-sounding musicians were competitive, influenced by (but not imitative of) Charlie Parker, and really knew bebop. This LP features the two altoists in top form on six of Woods' obscure originals, plus "Airegin" and "Solar." The rhythm section (pianist George Syran, bassist Teddy Kotick, and drummer Nick Stabulas) is tasteful and quietly supportive.
This long-out-of-print CD has finally been reissued and it's a must-have for Phil Woods fans, or for anyone interested in an excellent example of post-Parker be-bop saxophone. The sound quality is excellent, the rhythm section is very competent and Phil is at the top of his game on a nice mix of standards and originals. It's easy to see why he has been the benchmark for jazz alto for decades. His swing and inventiveness are nicely showcased as he eases his way through the list of tunes. If one were to buy one or two CD's that best show Phil Woods' ability to create meaningful jazz, this one would have to be high on the list for consideration. Don't miss it!
One of the best all-star sessions ever produced by the legendary Creed Taylor. Actually, this album represented the ressurrection of the CTI label in 1990. Digitally recorded and filmed (in High Definition) "live" at Van Gelder's studio, features such stars as Dizzy Gillespie, Airto, Flora Purim, Anthony Jackson, Art Farmer, John Scofield, and Phil Woods, who play together in such outstanding tracks like Michel Camilo's "Caribe" and Salif Keita's "Wamba", all arranged by Benny Golson.
In the summer of 1956, the famed Harlem congressman Adam Clayton Powell arranged for Dizzy Gillespie to embark on a worldwide goodwill-ambassador tour sponsored by the State Department. Gillespie and an all-star big band featuring trumpeter Quincy Jones, the late trombonist Melba Liston, alto saxophonist Phil Woods, and tenor saxophonist Benny Golson performed in Ecuador, Argentina, Uruguay, and Brazil to frenzied, beret-wearing fans. Recordings were made but they weren't commercially available and were played only for a select group of musicians before Gillespie's death in 1993. Now the sides have been released, showcasing Dizzy at his bebopping best.
The sun has set, it’s cocktail hour and you need some sounds to help you settle into the evening. These are those sounds. More than four hours of the very best after-hours jazz around. Whether sultry saxophone, cool singing, muted trumpet or relaxed piano, this Late Night Jazz is the perfect accompaniment to your wee small hours.
Stan Getz, John Coltrane, Cannonball Adderley, Carmen McRae, Jimmy Scott, Miles Davis, Lee Morgan, Donald Byrd, Kenny Barron and many others.
The last 20 years of this legendary saxman's four-decade solo career have mostly featured fun and funky, energetic pop or smooth jazz dates, with one exception, 1992's straight-ahead date Born Again. Not surprisingly, despite all the solid work he's put forth during that time, that date is the only one that's been truly respected by traditional jazz critics. But now, making his MCG debut with Bebop United, Tom Scott makes a special return to his bebop roots on a live recording – featuring cohorts like Randy Brecker, Gil Goldstein, and Phil Woods – performed at the Manchester Craftsman's Guild in Pittsburgh in May 2002.