Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…
Reissued from the soundtrack's original Nonesuch release, this typically excellent Philip Glass score accompanies the 1996 Christopher Hampton film The Secret Agent. Christopher Hampton, the film's director and screenwriter, is also known for his stage and screen versions of "Dangerous Liasons" and more recently for his screenplay to the award-winning "Atonement." Hampton and Glass later worked together when the composer asked the writer to create a libretto from J.M Coetzee's novel "Waiting for the Barbarians" in 2005. Hampton again wrote a libretto Glass' 2007 opera "Appomattox"about the meeting of Robert E. Lee and Ulysses S. Grant at Appomattox Courthouse at the end of the American Civil War."
The Essential Philip Glass is a three-disc 2012 compilation not to be confused with the single-disc 1993 album, The Essential Philip Glass. The tracks from both are taken from previous Sony releases. Two of the discs of the 2012 set are made up of single tracks from a number of albums, including Songs from Liquid Days, Glassworks, the film score Naqoyqatsi, the ballet In the Upper Room, and the choral-orchestral piece Itaipu. Stylistically the music represents a fairly narrow range in Glass' career; all the music except for Naqoyqatsi is from the 1980s. There is variety in the musical forces used; the Philip Glass Ensemble led by Michael Riesman figures prominently, but there are also pieces that use chorus, vocalists, and piano. Linda Ronstadt, Yo-Yo Ma, the Kronos Quartet, and Glass himself are among the distinguished soloists.
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House.
As with so many of life's most significant encounters, I met Philip Glass purely by accident in 1995 on a plane flying out of Lincoln Nebraska after a grueling job interview at the University of Nebraska-Lincoln School of Music. That plane trip marked the beginning of an artistic collaboration the fruit of which is represented on this recording. Glass introduced me to a transcription of Satyagraha made by his music director Michael Riesman and thus began my fascination with the art of transcribing the theatre music of Philip Glass. It has been my privilege to work personally with Glass on repertoire ideas as well as musical ideas throughout the entire transcription process. In all I have transcribed eleven movements from various theatre works. The first three were published by Chester Music as the Trilogy Sonata, and all eleven make their recording debut on this CD.