Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, editor, writer, piano and composition teacher, and conductor. Most of Busoni's works are for the piano. Busoni's music is typically contrapuntally complex, with several melodic lines unwinding at once. Although his music is never entirely atonal in the Schoenbergian sense, his mature works, beginning with the Elegies, are often in indeterminate key…
This disc contains 11 piano pieces by Toru Takemitsu performed by Izumi Tateno. It was originally released in 1996 on Finlandia, but now appears in reissue in Warner Classics' economy line Apex. Like all of Takemitsu's oeuvre, his piano works (which altogether make up only a single CD) are meditative, intensely focused, and undramatic.
Sviatoslav Richter commands legendary status in the keyboard world with almost superhuman technique and a level of intensity never exceeded in my memory. On this Melodiya album, the pianist performs the Tchaikovsky Piano Sonata No. 3 and Mussorgsky Pictures at an Exhibition. Pictures was recorded in 1958. The Tchaikovsky Piano Sonata No. 3 is rarely heard in the recital hall. It sounds more like a piano transcription of an orchestral work than one written for piano, and the chord-oriented work cumbersome on the keyboard. With full orchestra, I'm sure the effect would be quite beautiful.
This is the latest album by Keisuke Yasujima, a pianist who has been attracting attention from many music fans for his unique musical activities while practicing as a lawyer. This is the world premiere recording of a piano arrangement of Ysaye's masterpiece "Sonata for Solo Violin," one of the pinnacle of violin art. Pianist Keisuke Nijima and arranger Kohei Owaki spent a long time to unravel the work, and they are convinced that "if Ysaye could have played the piano, he would certainly have written this way.
The second album in Lars Vogts Johannes Brahms concerto series with the Royal Northern Sinfonia includes Brahms 2nd Piano Concerto combined with a solo piano work, Handel Variations Op. 24, which was dedicated to Clara Schumann by the composer. Brahms Piano Concerto No. 2 is a romantic 4-movement concerto written two decades after its predecessor and one of the cornerstones in the concerto repertoire. This remarkable opus with a great number of beautiful solo passages and with a duration of over 45 minutes has been interpreted by numerous pianists since its premiere in 1881. In this album, Vogt performs the concerto conducting from the keyboard.
Back before the electric guitar became the primary focal instrument of the blues, two-fisted piano players dominated the genre, and record companies flocked to record them. Chess Records was no exception, and this two-disc, 45-track anthology shines the spotlight on four of the best who ever sat on the piano stool at the Chess studios. The first disc begins with 20 tracks from Eddie Boyd (eight of them previously unissued in the U.S.), full of introspective reflection and the darkest of moods. Kicking off with one of his big hits, "24 Hours," and the dourness of Boyd's work reaches epic proportions on tunes like "I Began to Sing the Blues," "Third Degree," and "Blues for Baby," the latter featuring stellar jazz guitar runs and chordal work from Robert Jr. Lockwood…
Back before the electric guitar became the primary focal instrument of the blues, two-fisted piano players dominated the genre, and record companies flocked to record them. Chess Records was no exception, and this two-disc, 45-track anthology shines the spotlight on four of the best who ever sat on the piano stool at the Chess studios. The first disc begins with 20 tracks from Eddie Boyd (eight of them previously unissued in the U.S.), full of introspective reflection and the darkest of moods. Kicking off with one of his big hits, "24 Hours," and the dourness of Boyd's work reaches epic proportions on tunes like "I Began to Sing the Blues," "Third Degree," and "Blues for Baby," the latter featuring stellar jazz guitar runs and chordal work from Robert Jr. Lockwood…