Pink Floyd Dark Side of The Moon Multichannel

The Dark Side Of The Moon was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The record builds on ideas explored in Pink Floyd's earlier recordings and performances, while omitting the extended instrumentals that characterised their earlier work. A concept album, its themes explore conflict, greed, time, death, and mental illness, the latter partly inspired by the deteriorating health of founding member Syd Barrett, who departed the group in 1968. The group used recording techniques such as multitrack recording, tape loops, and analogue synthesisers.

The 50th anniversary edition Blu-ray features the Dolby Atmos mix, 5.1 surround sound mix, as well as remastered stereo mixes.

The Dark Side of the Moon was a benchmark record. It turned the musical world on its ear with a hitherto unheard combination of sounds, and changed things considerably for Pink Floyd.

Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor. Musically, it's arguably even more impressive, showcasing the group's interplay and David Gilmour's solos in particular. And while it's short on actual songs, the long, winding soundscapes are constantly enthralling.

It's nothing short of remarkable that Roger Waters has built a successful career on obsessive ruminations on alienation, megalomania, and guilty fame, largely on the backs of one of history's most long-lived arena acts. The musical legacy Waters has shared with "another band" (as he sharply refers to his former Pink Floyd mates in this collection's self-penned liner notes) has served two distinctly different functions: part and parcel of the latter's nostalgia act; autobiographical foundation for the former's ongoing, if decidedly egocentric, Rage at the World. That's essentially the rationale this live collection uses to lean heavily on Waters's Pink prime, from Dark Side of the Moon through The Final Cut. And if that frame sometimes overshadows the images of Waters's solo work–well, no one said he wasn't a pragmatic entertainer.