Pink Floyd Early Years Atom Heart

Live at Fillmore West, San Francisco, CA. USA 29th April 1970. Stereo soundboard recording (UPGRADE).
Pink Floyd ‘s long – awaited stereo SBD sound source is finally back with accompanying decisive sound quality improvement!!
Sigma, and its predecessor Sirene label, sold out and out of print Floyd unofficial sound source, there are some that are particularly persistent desire to reappear is not that our shop is overlooking. For example, “THE PINK JUNGLE (Sigma 28)”, “DOUBLE BUBBLE (Sirene – 008)”, “RACIAL VIOLENCE (Sirene – 024)” etc are representative, but most of them are expensive at the second – hand market It is becoming a premium title to become a match. “WESTWORLD (Sigma 4)” that appeared in October 2007 when Sigma label was first launched is one of them, and this sound source that recorded the legendary 1970 Fillmore West with stereo SBD only once in 2014 is a distribution route and Genes Since the same source of different branches of branches came out as a bonus board (* note 1), it has been breathing again and has reached the present.

Live at Fillmore West, San Francisco, CA. USA 29th April 1970. Stereo soundboard recording (UPGRADE).
Pink Floyd ‘s long – awaited stereo SBD sound source is finally back with accompanying decisive sound quality improvement !!
Sigma, and its predecessor Sirene label, sold out and out of print Floyd unofficial sound source, there are some that are particularly persistent desire to reappear is not that our shop is overlooking. For example, “THE PINK JUNGLE (Sigma 28)”, “DOUBLE BUBBLE (Sirene – 008)”, “RACIAL VIOLENCE (Sirene – 024)” etc are representative, but most of them are expensive at the second – hand market It is becoming a premium title to become a match. “WESTWORLD (Sigma 4)” that appeared in October 2007 when Sigma label was first launched is one of them, and this sound source that recorded the legendary 1970 Fillmore West with stereo SBD only once in 2014 is a distribution route and Genes Since the same source of different branches of branches came out as a bonus board (* note 1), it has been breathing again and has reached the present.

Live at Fillmore West, San Francisco, CA. USA 29th April 1970. Stereo soundboard recording (UPGRADE).
Pink Floyd ‘s long – awaited stereo SBD sound source is finally back with accompanying decisive sound quality improvement!!
Sigma, and its predecessor Sirene label, sold out and out of print Floyd unofficial sound source, there are some that are particularly persistent desire to reappear is not that our shop is overlooking. For example, “THE PINK JUNGLE (Sigma 28)”, “DOUBLE BUBBLE (Sirene – 008)”, “RACIAL VIOLENCE (Sirene – 024)” etc are representative, but most of them are expensive at the second – hand market It is becoming a premium title to become a match. “WESTWORLD (Sigma 4)” that appeared in October 2007 when Sigma label was first launched is one of them, and this sound source that recorded the legendary 1970 Fillmore West with stereo SBD only once in 2014 is a distribution route and Genes Since the same source of different branches of branches came out as a bonus board (* note 1), it has been breathing again and has reached the present.

Capitol Theater, Port Chester, NY – April 22nd, 1970
Port Chester was the eighth show of Pink Floyd’s 1970 Spring US tour following two dates at the Electric Factory in Philadelphia and was their final show in the New York metropolitan area (they also played SUNY Stony Brook and the Fillmore East). This was also the longest US tour to date and it is fascinating to hear material from the recent Zabriskie Point and More soundtracks evolving into lengthy jams alongside familiar songs from Ummagumma as well as the transition into the Atom Heart Mother period. Despite the inclusion of some Barrett-era pieces, this is the sound of The Floyd spreading their wings and finding their own identity.

Capitol Theater, Port Chester, NY – April 22nd, 1970
Port Chester was the eighth show of Pink Floyd’s 1970 Spring US tour following two dates at the Electric Factory in Philadelphia and was their final show in the New York metropolitan area (they also played SUNY Stony Brook and the Fillmore East). This was also the longest US tour to date and it is fascinating to hear material from the recent Zabriskie Point and More soundtracks evolving into lengthy jams alongside familiar songs from Ummagumma as well as the transition into the Atom Heart Mother period. Despite the inclusion of some Barrett-era pieces, this is the sound of The Floyd spreading their wings and finding their own identity.