Vulgar Unicorn are made up of Bruce Soord and Neil Randall. Bruce main group now is The Pineapple Thief. They boast of being one of the few truly progressive bands left in the UK, and they certainly sound very different to the norm. This British duo used the help from trumpet, saxophone and violin in some ambitious instrumental developments. Vulgar Unicorn is song oriented melodic prog. The compositions move in and of these influences creating variety and interest but not any wasted time. Also included in their sound is some space prog influences. This combination creates interesting changes in texture and mood. The melodious and refined themes, the sound effects, the simplicity of the moods evoke Pink Floyd, Camel or Coda. Vulgar Unicorn has their own niche, which is very easy to listen to.
32 years after their last studio album the band Bröselmaschine drops a new long player entitled "Indian Camel", bearing an impressive stylistic diversity and a captivating groove. Bröselmaschine is one of the most influential and durable bands of the republic. The Duisburgers gave guest performances with Pink Floyd, King Crimson, Jethro Tull, T. Rex, Hawkwind, Fairport Convention, Uriah Heep and many others. They have been on tour nearly all around the globe and in founding member Peter Bursch “the nation’s guitar teacher” among their ranks.
The current line-up consists of drummer Manni von Bohr, bassist Detlef Wiederhöft, guitarist Michael Dommers, keyboarder Tom Plötzer, Peter Bursch plays guitar and sitar and Liz Blue sings. As guests Helge Schneider, Nippy Noya (percussion) and Lulo Reinhardt are featured as well…
An overlooked gem is rediscovered. A 1985 LP that went largely unnoticed on its release, Willie and the Poor Boys was an exercise in nostalgia for Rolling Stones bassist Bill Wyman and a bunch of his musical pals. The LP was put together by Wyman as a means of raising funds to help out The Faces founder Ronnie Lane, then suffering greatly from Multiple Sclerosis. A major benefit the A.R.M.S. Concert had been mounted in September 1983, and Willie and the Poor Boys was an outgrowth of that effort, employing many of the musicians involved in the original concert.
Italian pianist Marcotulli's duets with British saxophonist Sheppard have been discreet gems which, in recent years, have occasionally been seen glittering around the jazz scene, and this set is a more faithful representation of that intimacy than the pair's more eclectic album, Koine, released four years ago. Marcotulli has lived in Scandinavia, and the ghostly, wistful long-note jazz of Jan Garbarek, Arve Henriksen and others has had an impact here. Sheppard's tone control and ability to do more with less has been an eloquent feature of his mid-life music, but a startling edginess often bursts out of it, in fierce split-notes or rumbling, upward-spiralling runs against slowly swaying piano figures. Waves and Wind appoints the piano (in Marcotulli's Jarrett-like incarnation) and the saxophone to play each role respectively, and Sound of Stone is an abstract wriggle through soprano figures and skittering percussion.
Last year, Yves Rousseau put together a seven-piece ensemble to perform and record this program of “fragments” inspired by memories of progressive rock music—a heady, testosterone-charged pop subgenre that made a strong impression upon the French bassist when he was a student in the mid-1970s. Since that initial period of discovery, Rousseau has refined his taste for prog-rock indulgence, incorporating ideas inspired by bands like King Crimson, Yes, Genesis and other prominent artists of the era into his vast creative arsenal. With a wealth of experience as a genre-hopping player dating back to the late 1980s and a more recent reputation as a prolific composer and ambitious bandleader, Rousseau takes listeners on a nostalgia trip with Fragments, a collection of all original pieces…
The following albums are included: Hawkwind, In Search of Space, Greasy Truckers’ Party (2CD) Doremi Fasol Latido, The Space Ritual Alive in Liverpool and London (2CD), Hall of the Mountain Grill, The 1999 Party (2CD) and this set also comes with a bonus disc collecting rare single mixes called Of Time and Stars – The Singles…
The album combines the group’s original vocal and instrumental tracks from their 100-million-selling catalogue with new orchestral arrangements by Richard Carpenter, conducting the Royal Philharmonic Orchestra at Abbey Road Studios in London.
Guy LeBlanc is a Canadian keyboardist well known from his "Nathan Mahl" band and short but prolific appearance in Camel's lineup. However most of people never heard that he also recorded 2 solo albums: "Subversia" and "All the Rage". If you want to find different side of LeBlanc you can proceed to his second album which is very diverse and among prog tracks includes many pop/rock and heavy metal (sometimes in French language) songs. But if you love his work in "Nathan Mahl" you ought to check this great album first…