Pink Floyd The Wall

Roger Waters' album "Amused to Death" returns in a remastered release from Columbia Records / Legacy Recordings. "Amused to Death" sounded the alarm about a society increasingly – and unthinkingly – in thrall to its television screens. Twenty-three years later, "Amused to Death" speaks to our present moment in ways that could scarcely have been anticipated two decades ago.

Roger Waters’ 1st album after finally splitting from Pink Floyd. The album features contributions by Eric Clapton, David Sanborn and Andy Newmark. Although bearing many of the familiar hallmarks of his writing style on the later ‘Floyd’ albums, this is very much Waters’ own baby. A feature of this album is his previously unseen sense of humour, which is still a little hard to explain – you just need to hear it for yourself.

"Rattle That Lock" is the fourth solo studio album by David Gilmour, the voice and guitar of Pink Floyd. This is David's first since 2006's # 1 album "On An Island". The primary lyricist for "Rattle That Lock" is Gilmour's long-term writing partner, Polly Samson, and the album is co-produced by David Gilmour and Roxy Music's Phil Manzanera.

Ça Ira (French for "It'll be fine", subtitled "There is Hope") is an opera in three acts by Roger Waters based on the French libretto co-written by Étienne and Nadine Roda-Gil on the historical subject of the early French Revolution. Ça Ira was released 26 September 2005, as a double album featuring baritone Bryn Terfel, soprano Ying Huang, and tenor Paul Groves.

Ça Ira (French for "It'll be fine", subtitled "There is Hope") is an opera in three acts by Roger Waters based on the French libretto co-written by Étienne and Nadine Roda-Gil on the historical subject of the early French Revolution. Ça Ira was released 26 September 2005, as a double album featuring baritone Bryn Terfel, soprano Ying Huang, and tenor Paul Groves.

Spirit Stronger Than Blood pays homage to some of the recordings that shaped my musical-spiritual aesthetic: Charles Mingus’s Changes 1&2, Booker Little’s Strength and Sanity, Pharaoh Sanders’s Peace and Love, Clifford Thornton’s Gardens of Harlem, Alice Coltrane’s Ptah, The El Daoud. Each of these artists, as different as they are from each other, shared a commonality of intention that set me on my life and career path. Their music is spiritual, political, romantic, at turns angry and peaceful, and inspires us to transcend and challenge the inequities of quotidian existence in order to make the world a better place, to heal the broken world (tikkun olam).

Spirit Stronger Than Blood pays homage to some of the recordings that shaped my musical-spiritual aesthetic: Charles Mingus’s Changes 1&2, Booker Little’s Strength and Sanity, Pharaoh Sanders’s Peace and Love, Clifford Thornton’s Gardens of Harlem, Alice Coltrane’s Ptah, The El Daoud. Each of these artists, as different as they are from each other, shared a commonality of intention that set me on my life and career path. Their music is spiritual, political, romantic, at turns angry and peaceful, and inspires us to transcend and challenge the inequities of quotidian existence in order to make the world a better place, to heal the broken world (tikkun olam).