Progressive rock bands stumbled into the '80s, some with the crutch of commercial concessions under one arm, which makes the Moody Blues' elegant entrance via Long Distance Voyager all the more impressive. Ironically enough, this was also the only album that the group ever got to record at their custom-designed Threshold Studio, given to them by Decca Records head Sir Edward Lewis in the early '70s and built to their specifications, but completed while they were on hiatus and never used by the band until Long Distance Voyager (the preceding album, Octave, having been recorded in California to accommodate Mike Pinder), before it was destroyed in the wake of Decca's sale to Polygram…
Progressive rock bands stumbled into the '80s, some with the crutch of commercial concessions under one arm, which makes the Moody Blues' elegant entrance via Long Distance Voyager all the more impressive. Ironically enough, this was also the only album that the group ever got to record at their custom-designed Threshold Studio, given to them by Decca Records head Sir Edward Lewis in the early '70s and built to their specifications, but completed while they were on hiatus and never used by the band until Long Distance Voyager (the preceding album, Octave, having been recorded in California to accommodate Mike Pinder), before it was destroyed in the wake of Decca's sale to Polygram. In that connection, it was their best sounding album to date, and in just about every way is a happier listening experience than Octave was, much as it appears to have been a happier recording experience.
Progressive rock bands stumbled into the '80s, some with the crutch of commercial concessions under one arm, which makes the Moody Blues' elegant entrance via Long Distance Voyager all the more impressive…
This double CD 60 track compilation is an overview of rock 'n' roll from the west coast of America. As is the norm with such releases from Fantastic Voyage, the selection of tracks ranges from well known classics such as Eddie Cochran's 'Twenty Flight Rock', Gene Vincent's 'Lotta Lovin', 'The Worryin' Kind' by Tommy Sands and 'La Bamba' by Ritchie Valens through popular selections like Bob Luman's…
Circus has a reputation for having one of the more uncommon line-up of the genre - no KB and no electric guitars. Not so for the guitar for there are bits of it although staying discreet, some sounds I cannot see done other by a guitars through effects…
Two years in the making, Close To The Noise Floor is a 4CD, 60-track set exploring the origins of electronica in the UK. Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn and part history lesson.