Hyperion’s record of the month for July celebrates the (probable) 500th anniversary of the birth of England’s first superstar composer, Thomas Tallis, and welcomes the signing to the label of The Cardinall’s Musick and Andrew Carwood. In a fifteen-year history The Cardinall’s Musick has progressively built an enviable reputation for excellence. Some twenty recordings on the ASV Gaudeamus label have seen accolades from around the world, including a Gramophone Award and a Diapason d’Or, while in the concert hall and workshop the group has consistently displayed innovation and a freshness of approach, whether tackling contemporary works (many of them commissions) or sharing the fruits of years of research into the music of the English Renaissance.
Expanding the latent arena rock sensibilities that peppered Kiss Me, Kiss Me, Kiss Me by slowing them down and stretching them to the breaking point, the Cure reached the peak of their popularity with the crawling, darkly seductive Disintegration. It's a hypnotic, mesmerizing record, comprised almost entirely of epics like the soaring, icy "Pictures of You." The handful of pop songs, like the concise and utterly charming "Love Song," don't alleviate the doom-laden atmosphere. The Cure's gloomy soundscapes have rarely sounded so alluring, however, and the songs - from the pulsating, ominous "Fascination Street" to the eerie, string-laced "Lullaby" - have rarely been so well-constructed and memorable. It's fitting that Disintegration was their commercial breakthrough, since, in many ways, the album is the culmination of all the musical directions the Cure were pursuing over the course of the '80s.
Gravedigger by Janus finds the band playing in a psyche-tinged style of early progressive rock still entangled in the genre's roots in the 1960s underground - and emerged just as that style of prog was going out of fashion, to the band's misfortune…
"As our awards enter their fourth decade, we've paused and looked back over the first 30 years. It's gratifying to see how many of the recordings singled out for the prestigious Record of the Year have gone on to become classics of the catalogue. (…) Then there are the discs that shaped careers - violinists Nigel Kennedy (in Elgar) and Maxim Vengerov (in Prokofiev and Shostakovich) - to which you might add The Tallis Scholars' stunning disc of Masses by Josquin Desprez, a disc that elevated Early Music to the "mainstream". ~Grammophone