Plastic Surgery

Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels. When Liberace finds himself a new lover, Scott is tossed on the street. He then seeks legal redress for what he feels he has lost. But throughout, the bond between the young man and the star never completely tears.

Scott Thorson, a young bisexual man raised in foster homes, is introduced to flamboyant entertainment giant Liberace and quickly finds himself in a romantic relationship with the legendary pianist. Swaddled in wealth and excess, Scott and Liberace have a long affair, one that eventually Scott begins to find suffocating. Kept away from the outside world by the flashily effeminate yet deeply closeted Liberace, and submitting to extreme makeovers and even plastic surgery at the behest of his lover, Scott eventually rebels.

Every year in America, surgeons perform roughly half a billion cosmetic procedures. Once the domain of movie stars and aging socialites, plastic surgery has gone mainstream, with everyone from teenagers to businessmen going under the knife to get a new look. INVESTIGATIVE REPORTS reveals the dark side of this explosive growth, going inside a largely unregulated industry that exposes its patients to greater risks than most other branches of medicine.

Frank Castle, the ex-military man whose family was killed by criminals, who became a vigilante known as the Punisher, goes after a whole mob family and gets everyone except enforcer Billy Russoti. He tracks Russoti down and chases him into a vat that is used for crushing bottles. Frank turns on the crusher hoping it would take care of him but it doesn't. He survives but sustains very severe injuries that even with plastic surgery his face looks like a jigsaw puzzle. So he decides to adopt the name Jigsaw.

As the final masterwork of Ingmar Bergman, the world's most revered cinematic craftsperson, Saraband embodies the sequel to the director's five-hour Scenes from a Marriage, produced and directed 30 years after that original epic. Here, Bergman revisits the two characters from that film, divorcees Johan (Erland Josephson) and Marianne (Liv Ullmann), after years of estrangement from one another. Marianne now lives alone; of her two middle-aged daughters from the marriage to Johan, one lives in Australia, while the other suffered a mental breakdown. Marianne has contact with neither. After leafing through an assemblage of old photographs and waxing nostalgic, Marianne decides to revisit the now-wealthy Johan, who lives in the country with an adjoining cottage and two descendants: his 61-year-old widower son, Henrik (Börje Ahlstedt of I Am Curious (Yellow)), and Henrik's 19-year-old daughter, Karin (Julia Dufvenius).