Psychedelic Archaeology is a series developed to unearth psychedelic audio gems from the 60's that have never been reissued since their original release. This series is a group effort specifically designed for distribution to U-SPACES members through trade. Since this is a relatively low budget affair, a master CD is burned from cassette copies of the songs. The sound quality is amazingly good however, (with a little EQ magic) but the vinyl snaps, pops and crackles are still audible. The master CD's are distributed to a few people who volunteer to be branches, and in turn distribute the CD's to even more people… all through trade. Initially, each CD will have a distribution of approximately 50-75.
It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.
In the summer of 1971, BANG, a trio from the Philadelphia area, decided to take a road trip to Florida to try their fortune. While buying some rolling papers in the Sunshine State, they learned about a Small Faces and Deep Purple concert nearby in Orlando. They showed up at the venue and brazenly declared they were ready to go on stage. The concert organizer asked them to set up and play for him. After a couple songs, he told them they were opening for Rod Stewart and Faces. Before they knew it, BANG was playing with Bachman Turner Overdrive, Deep Purple, Three Dog Night, Fleetwood Mac, Ike and Tina Turner, The Doobie Brothers, and even Black Sabbath. Capitol Records signed them, and three LPs were released. This CD was put out by the band and has the albums Bang and Mother/Bow To The King both on the same cd. This was self released and not on any label.