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Monomyth stands for "thrilling instrumental soundscapes", a rollercoaster ride in which the listener can lose themselves. It is the sound of five people searching for their musical boundaries and then moving beyond them. Monomyth transports you to another world, a place that feels both new and familiar. In the ranks, we find five people from different creative and musical backgrounds. Monomyth’s music is a complete experience, a collective statement by five like-minded identities. The Monomyth sound contains all the ingredients of rock & roll, but in a totally unique way. The band wants to draw their audience into a trance, caused by shifting patterns, repetitions and drones. The result is a stirring brew with links to Pink Floyd, Hawkwind and Tool, but with the innovative force of modern techno and ambient. It is rock you can dance to and lose yourself in…

Originally issued in Japan in 1998, Sonic Origami was released in the U.S. a year later with the bonus track intact. The album has a grand, epic tone throughout that doesn't always match Uriah Heep's journeyman-sounding prog-tinged hard rock, and some songs' lyrics sink under the weight of their pretension or sentimentality. But for diehard Heep fans those are minor quibbles; while the group's sound may not be devastatingly original anymore, they are definitely quite committed to their performances, and the occasional overreaching is part and parcel with this sort of classic AOR pomp-rock (and, in fact, constitutes a not insignificant part of its appeal).