Pianist Fanya Lin’s RHAPSODIC is a masterful exploration of two of the most iconic pieces in piano repertoire. With her deft touch and nuanced interpretation, Lin lends an entirely new dimension to George Gershwin’s Rhapsody in Blue and Rachmaninoff’s Paganini Variations.
Second Life' is the first-ever album featuring both acoustic guitar and string orchestra on each track. Acoustic guitarist Adam Palma is accompanied by one of the greatest European orchestras, The Chamber Orchestra of Polish Radio AMADEUS, led by famous conductor, Agnieszka Duczmal. This album is a very personal record, an intimate look at music and life from the perspective of a man who "regained" his life after waking from a long coma. Recovering gave Adam time to reflect, to review his own musical roots, and to view his life deeply from a new perspective. We hear the songs that the soloist grew up listening to: folk melodies, a scout song, a song belonging to the patriotic trend of music, known film themes, Chopin's compositions (never before performed on the guitar), and Adam's own compositions that show what he himself describes as his Polish soul. All the arrangements have been written by Adam Palma and orchestrated by the outstanding Polish film score composer Krzesimir Debski. On this album, classical music and jazz are intertwined. All this against a background of the characteristic harmony of Polish songs, combining the sound of acoustic guitar and string orchestra!
Joachim Kaczkowski, a Polish violinist, teacher and composer, was born in 1789 in the city of Tábor in southern Bohemia. He came from a family with strong musical traditions. Joachim Kaczkowski took his first violin lessons from his father. He grew up in Lviv at a time when such outstanding representatives of the musical community as Polish conductor and composer of German origin Józef Elsner and violinist, conductor and composer Karol Kurpinski were active there. The form of violin duo has never gained great popularity and attention among composers of chamber music throughout the musical eras. Due to the relatively limited sound range of the violin, this kind of works, on the one hand, severely hampered the artistic potential of composers, and on the other hand, unlike the much more popular string quartets, it did not arouse much interest among a wider audience. Therefore, Joachim Kaczkowski, an excellent violin virtuoso, had a great opportunity to experiment with a rarely exploited musical form, which resulted in numerous innovative and often surprising textural and sound effects.