Polyphony

Sir Karl Jenkins continues his 75th birthday year celebrations with a brand-new album, Miserere: Songs of Mercy and Redemption, released on 11th October. The new work, released on Decca Records, is dedicated to all who have suffered or perished during the conflicts in the Middle East over the last 70 years. Jenkins was motivated by the desperate situation for the millions of people displaced and impacted by the cruel effects of war and hoped the healing and uniting powers of music could be used to bring together people from different religions.

Various Artists - La Polyphonie Flamande - The Flemish Polyphony (2011) {8CD Set Ricercar RIC 102}
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© 2011 Outhere / Ricercar | RIC 102
Classical / Early Music / Polyphony / Medieval / Choral / Renaissance / Sacred Works

The composers known collectively as the Fiamminghi made their mark in Europe in general and in Italy and in France in particular during the 15th century. Their talent and skill gained them the most important positions in the great musical establishments of the time. This collection is devoted to the leading composers of the 15th century, from those of the first generation (Guillaume Dufay, Gilles Binchois, Arnold de Lantins and Johannes Brassart) through Johannes Ockeghem, the great master of polyphonic technique, to Josquin Desprez and Pierre de La Rue, two musicians taught by Ockeghem who laid the foundations of the Ars Perfecta during the Renaissance. Also included is Jacob Obrecht, the only composer of this school whose career was based essentially in his native Flanders. Every genre of both sacred as well as secular music of the time is represented here.

2013 sees the centenary of Britten’s birth and a wide-ranging programme of concerts, operas and events, including performances of his choral music. This recording is the perfect introduction to this repertoire. Included on this Gramophone Award-winning recording is the last choral work for professionals which Britten was to complete—Sacred and Profane—a collection of eight medieval lyrics for voices in five parts (SSATB). Also included is the Chorale after an old French Carol whose text is by W H Auden (a close friend of Britten’s). The Chorale’s text was part of an unachieved Christmas Oratorio on which Britten and Auden intended to collaborate.

The Golden Age of English Polyphony - The Sixteen, Harry Christophers (2009) {10CD Set Hyperion CDS44401~10}
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© 2009 Hyperion Records | CDS44401~10
Classical / Early Music / Renaissance / Polyphony / Plainchant

When The Sixteen embarked upon their recording career back in 1982, few would have been able to predict quite how successful they would become, or how far they would go towards rehabilitating the little-known and barely recorded music of these four master composers of the sixteenth century. In this their 30th anniversary year, we join them in celebrating a Golden Age of Polyphony, and of music-making, by presenting their twelve discs of this repertoire in an attractively packaged (and priced) 10-CD remastered set.

Taking its title from a poem by the sixteenth-century Jesuit martyr Robert Southwell, Times go by Turns comprises three masses composed during a period when the conditions for English Catholics – and Catholic composers – underwent radical change. Active at a time – the 15th century – when the Catholic Church flourished in England, John Plummer’s death roughly coincided with the ascension of the Tudors, a dynasty that would irreversibly alter religious traditions. As a consequence, the bulk of Plummer’s music was destroyed during the Reformation, the remainder surviving almost exclusively in sources from the continent. Born a century later than Plummer, Tallis witnessed the separation of England from the Catholic Church and his Mass for Four Voices displays a simple lyricism and economic use of polyphony which may well have been driven by liturgical necessity. Such constraints had grown even stronger by the end of the century, when his student and colleague William Byrd composed his own four-part Mass, intended for clandestine worship at a time when dissidents were dealt with by cruel means.

The four members of New York Polyphony here present a programme which explores the themes of grief, loss and mortality. Apart from the work by Jackson Hill on Guillaume de Machaut’s famous 14th century rondeau Ma fin… and two examples of plainsong, all works included on this disc, the ensemble’s first on BIS, were composed by masters of the Franco-Flemish school of polyphony from the first half of the 16th century. Most of this music was partly used liturgically: the two Gregorian chants Libera me and In paradisum both form part of the Roman Catholic burial service.