Pop Kill

Iggy Pop Muskegon au bord du lac Michigan n’est pas particulièrement réputé pour abriter des reptiles… C’est pourtant là que le 21 avril 1947 un iguane pas comme les autres voit le jour. Un iguane ou plutôt l’Iguane ! Le seul et unique Iggy Pop, né James Osterberg. Considéré comme le Parrain du punk rock, il est l’une des plus fascinantes figures de la culture pop américaine. Un animal sauvage qui secouera la planète rock à l’aube des années 70 aux commandes de ses Stooges dont les trois premiers albums – The Stooges, Fun House et Raw Power – composent une vraie sainte trinité. Un Nijinski habité et révolté qui poursuivra en solitaire (aidé par un certain David Bowie) ses contorsions électriques et deviendra une sorte d’icone

Pop's music has encompassed a number of styles over the course of his career, including garage rock, punk rock, hard rock, art rock, new wave, jazz, blues, and electronic.[7][8] Though his popularity has fluctuated through the years, many of Pop's songs have become well-known, including "Search and Destroy" and "I Wanna Be Your Dog" by the Stooges, and his solo hits "Lust for Life", "The Passenger", and "Real Wild Child (Wild One)". In 1990, he recorded his first and only Top 40 U.S. hit, "Candy", a duet with B-52's singer Kate Pierson.

A View to a Kill is a 1985 spy film and the fourteenth in the James Bond series produced by Eon Productions, and is the seventh and final appearance of Roger Moore as the fictional MI6 agent James Bond. Although the title is adapted from Ian Fleming's 1960 short story "From a View to a Kill", the film has an entirely original screenplay. In A View to a Kill, Bond is pitted against Max Zorin, who plans to destroy California's Silicon Valley.

Elena Alice Fossi, co-leader of Kirlian Camera, has given life to a brand new entity, SPECTRA*Paris, definitely replacing Siderartica. Classy noir-glam atmospheres, echoes of Kraftwerk/Roxy Music/Human League combined with FUTURISTIC powerful techno-rock strategies, roaring tech-guitars and erotic+murder nightmares, Hitchcock movies soundtracks meeting the ghost of Donnie Darko into a "chic" sequel to Blade Runner filmed in a 'unexpected' nocturnal Paris filled with obscure labyrinths… all this goes to get mixed up

Digitally remastered and expanded edition of the 1989 sophomore album from the British Pop duo including seven bonus tracks. Climie Fisher were formed in 1987 by vocalist/songwriter Simon Climie and former Naked Eyes keyboardist Rob Fisher. Simon Climie was already known as the writer of the Aretha Franklin and George Michael hit 'I Knew You Were Waiting (For Me)' and other late '80s hits before forming this successful recording project. Features the singles 'Facts Of Love', 'Fire On The Ocean' and 'It's Not Supposed To Be That Way'.

"Coming In for the Kill" is the 2nd and last album by British pop duo Climie Fisher, released in 1989. The album was less successful than its predecessor "Everything", peaking at #35 in the United Kingdom. The track "Facts of Love" would later be covered by Christian pop singer, Kim Boyce three years later.