Paul McCartney produced this debut album of twee but pretty, romantic pop-folk. Besides "Those Were the Days" (which actually originally appeared only on the US version, though it's on the CD reissue now available throughout the world), the highlights are Donovan's "Lord of the Reedy River" and "The Honeymoon Song," which McCartney himself had sung with the Beatles way back in 1963 on the BBC. If there's a fault to be found, it's that there's too high a percentage of pre-rock/pop standards à la "There's No Business Like Show Business." As it turns out this was more due to the leanings of McCartney than Hopkin, who preferred the more simply arranged folk numbers such as the Donovan covers and the Welsh "Y Blodyn Gwyn." Also on board is a rather nice composition, "The Game," by Beatles producer George Martin, who contributed some piano and orchestra conducting to the album. The CD reissue includes George Gershwin/Ira Gershwin's "Someone to Watch Over Me" (which was on the original U.K. version of the LP, but was taken off the American counterpart), as well as the "Those Were the Days" B-side "Turn! Turn! Turn!" and versions of "Those Were the Days" that Hopkin sang in Italian and Spanish.
Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
Notwithstanding one or two isolated exceptions, it wasn’t until the mid-Sixties that independent female voices really began to be heard within the music industry. The feminist movement naturally coincided with the first signs of genuine musical emancipation. In North America, Joan Baez and Buffy Sainte-Marie emerged through the folk clubs, coffee-houses and college campuses to inspire a generation of wannabe female singers and musicians with their strong, independent mentality and social compassion, while the British scene’s combination of folk song revival and the Beatles-led pop explosion saw record company deals for a new generation of pop-folkies including Marianne Faithfull, Dana Gillespie and Vashti Bunyan.