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Coming of Age is a live album by progressive rock band Camel released 1998. Two hours of live recordings at Billboard Live in Hollywoodduring their 1997 West Coast tour. 28 tracks total, including 'Lunar Sea', 'Sasquatch', 'Milk 'N Honey' and 'TheHour Candle'.

Toni Braxton went through a lot in the years separating her star-making Toni Braxton and her 2000 comeback The Heat. Yes, she became a star, but she also went through a painful bankruptcy that delayed her sequel for years. Fortunately, you wouldn't be able to tell that there was so much behind-the-scenes drama from The Heat – it's a confident, assured, sexy effort that reaffirms Braxton's status as one of the finest contemporary mainstream soul singers. She may not be as street-smart as Mary J. Blige, nor does she push the boundaries of the genre the way TLC does, but she has a full, rich voice that instantly lends her songs a sense of maturity and sensuality, especially since she never, ever oversings or misjudges her material.

Neo-prog band Pendragon formed in London during the heady days of punk, but didn't coalesce until 1983, when the band began playing around London and earned a small spot at that year's Reading Festival. The lineup stabilized, after the 1985 album Jewel, around vocalist/guitarist Nick Barrett, bassist Peter Gee, drummer Fudge Smith and keyboard player Clive Nolan. Pendragon recorded the live album 9:15 in 1986 and began to establish a continental fan base the following year. European audiences proved enthusiastic, spawning a contract with the French M.S.I. label; nevertheless, the group was forced to form its own Toff label just to release material in England.

Not to be confused with the platinum-selling glam metal miscreants active in the late 1980s, the original Skid Row blazed a much overlooked trail some 20 years prior, as one of Ireland's earliest contributors to the hard rock field. Skid Row began to coalesce in Dublin, Ireland in October 1967, around vocalist Philip Lynott, bassist Brendan "Brush" Shiels, drummer Noel Bridgeman, and guitarist Bernard Cheevers, who would be replaced the following January by a 16-year-old prodigy hailing from Belfast, north of the border, named Gary Moore. The quartet threw itself into playing pubs and working men's clubs so as to develop their chops and repertoire, eventually recording a 1969 single for Irish label Songs Records entitled "New Places, Old Faces."

Shadowland´s second CD. A middle 90's point of departure album. Sometimes compared to Steve HOGARTH's MARILLION and clearly influenced by some other neo progressive bands such as ARENA and IQ, "Through The Looking Glass" broke through the progressive scene beautyfully with its awesome mixture of the old prog school and the ravenous and unpredictable mood swings. Breathtaking! SHADOWLAND also speaks up for the unrecognized Dutch bands, proving they can rock alright in spite of the incessant attacks "neo prog" has received. The album itself is pure and modest, much of the instrumentation displayed in here follows a plain line that doesn't lack of distinction. Clive NOLAN plays his trademark keyboards superbly all along the "Through the Looking Glass" experience. "When the World Turns to White" and the self-titled song deserve special attention, the most remarkable suites out of the nine tracked production.

In 1997, Joe Lynn Turner released Under Cover, a collection of his favorite hard-rock classics. It was such a success that he followed it two years later with the appropriately-titled Under Cover 2. Turner has surrounded himself with first-rate musicians – Vernon Reid, Al Pitrelli, Jeff Golub, Greg Smith – and has expanded his musical outreach, taking on such numbers as "Wishing Well" and "The Race is On," along with such album-rock favorites as "Helter Skelter," "Waiting for a Girl Like You," "The Boys Are Back in Town," "Born to Be Wild," "Fool for Your Lovin" and "Mississippi Queen."

Hearts on Fire is Baker Gurvitz Army's third and last studio album, released in 1976. Baker Gurvitz Army were an English rock group. Their self-titled debut album featured a blend of hard rock laced with Ginger Baker's jazz- and Afrobeat-influenced drumming. The lengthy "Mad Jack" was that album's outstanding track, and the album hit the US Billboard 200 chart, and peaked at number 22 in the UK Albums Chart. The two following albums contained similar material, although neither charted in the UK nor the US.

With no musical background and without ever having performed in public, Zelmani rose to the top of the charts with her debut album. In spite of being known as very shy, she soon reached an audience all over Europe and Asia with her tender singer/songwriter country. Zelmani got her first guitar at the age of 14 and was taught some chords by her father. She learned to write songs, and almost ten years later, sent a few tapes to various record companies. Sony replied first and brought her together with producer and guitarist Lars Halapi, known for having worked with Ulf Lundell and Bo Kaspers Orkester.

Creedence Clearwater Revival was an American rock band which recorded and performed from 1968 to 1972. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs. Their musical style encompassed roots rock, swamp rock, and blues rock. Creedence Clearwater Revival's music is still a staple of U.S. classic rock radio airplay. Twenty-eight million CCR records have been sold in the United States alone. Rolling Stone ranked them 82nd on its 100 Greatest Artists of All Time.

The Brighton Port Authority is yet one more way that Norman Cook (aka Fatboy Slim, aka Beats International) has found to gather world-class musical weirdos around him and collaborate with them on the creation of funky, hooky, wave-your-hands-in-the-air dance pop. Unlike his other projects, though, this one apparently stretches way back into the 1970s, when many of the rough tracks on this collection were originally recorded. Over the years, Cook and his collaborator Simon Thornton worked with such disparate singers and songwriters as Iggy Pop, Martha Wainwright, David Byrne and Pete York, and though a good amount of this material was clearly added in much more recently (Dizzee Rascal's contribution to "Toe Jam," for example, is clearly not of 1970s vintage, nor does Iggy Pop sound like the young man he would have been back then), there's a sense of anarchic fun to the proceedings that is very much reminiscent of the best music of the '70s and '80s.