Primal Scream Screamadelica

There's no overestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream – an impact that rivaled that of Nirvana's Nevermind, the other 1991 release that changed rock. Prior to Screamadelica, Primal Scream were Stonesy classic rock revivalists with a penchant for Detroit rock. They retained those fascinations on Screamadelica – one listen to the Jimmy Miller-produced, Stephen Stills-rip "Movin' on Up" proves that – but they burst everything wide open here, turning rock inside out by marrying it to a gleeful rainbow of modern dance textures. This is such a brilliant, gutsy innovative record, so unlike anything the Scream did before, that it's little wonder that there's been much debate behind who is actually responsible for its grooves, especially since Andrew Weatherall is credited with production with eight of the tracks, and it's clearly in line with his work. Even if Primal Scream took credit for Weatherall's endeavors, that doesn't erase the fact that they shepherded this album, providing the ideas and impetus for this dubtastic, elastic, psychedelic exercise in deep house and neo-psychedelic. Like any dance music, this is tied to its era to a certain extent, but it transcends it due to its fierce imagination and how it doubles back on rock history, making the past present and vice versa.

As its title makes clear, Children of Nuggets is the first Nuggets release to stretch beyond the '60s heyday of garage rock and psychedelic music. Instead of once again returning to that seemingly bottomless well – which has not only brought the original 1972 double LP, Nuggets, but such imitators as the Pebbles and Rubble series, plus Rhino's expanded four-disc 1998 box set and its 2001 sequel, which focused on singles from the U.K. and around the world – the four-disc box Children of Nuggets is devoted to bands from the '70s, '80s, and '90s (but primarily the '80s) that were inspired by the original Nuggets LP, along with other trashy, intoxicating rock and guitar pop from the '60s…