Prince Concert

The richness and splendour of French Baroque sacred music, by turns gravely sombre and spectacularly exuberant, have already been amply demonstrated by Hervé Niquet and Le Concert Spirituel through their series of recordings on Glossa of music by Marc-Antoine Charpentier. But it was not just in Paris or in the country’s religious foundations that such involved music-making was called upon, but also in cities such as Troyes and Châlons-sur-Marne where Pierre Bouteiller, maître de musique in cathedrals there during the reign of Louis XIV, composed his Missa pro defunctis, a beautiful setting scored for five voice parts with instrumental accompaniment.

Bill Evans - Live '64-'75 (2006) + Rome Concert 1979 (2006) [2xDVD5]
2xDVD5 -> 7.31 Gb | All Regions | NTSC 4:3 | English (LinearPCM, 2 ch / Dolby AC3, 2 ch)
~ 142 min | ISO Images | 5% repair rar
© 2006 Realin' / TDK / Impro-Jazz | DVWW-JIDG / JJ 515
Jazz/ Post Bop / Modal Jazz / Piano

Bill Evans features five separate performances by one of the most revered pianists in music history. This collection covers an 11-year span, highlighting Evans’ ever-deepening artistry as he performs with four different all-star rhythm sections, including the stunning duo of bassist Niels-Henning Ørsted Pedersen and drummer Alan Dawson. This DVD includes for the first time on home video Evans’ renditions of the rarely performed “Sareen Jurer,” “Blue Serge” and “Twelve Tone Tune Two.” Among the many surprises in this collection is a live performance of “My Melancholy Baby” with saxophonist Lee Konitz.

This CD evidently originates from a fan's home taping of a European radio broadcast of a concert by the Oscar Peterson Trio in Vienna on November 9, 1968. An announcer is briefly heard over the introduction but, other than that, the only flaws occur as the recording level is occasionally overmodulated, resulting in some distortion (but not so much that it is unlistenable). In spite of the sound problems, the pianist is in top form, joined by bassist Sam Jones and drummer Bobby Durham, for a set that relies mainly on some of Peterson's favorite standards ("The Lamp Is Low" and "Someday My Prince Will Come") as well as Neal Hefti's "Little Darlin'," Bill Evans' "Waltz for Debby," and the leader's "Never Say Yes" and "Noreen's Nocturne"…