Pierre Fournier was born in Paris on 24 June in 1906 the son of a French army general. He was known for his lyrical playing and his impeccable artistic sensitivity and this, during his lifetime, earned him the title 'the aristocrat of cellists'.
Fournier was first taught piano by his mother but at the age of nine he suffered a mild case of polio and lost some of the agility in his legs and feet. He was no longer able to master the use of the piano pedals and so turned to the cello.
Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event. At first listen, there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album - despite several interesting or excellent moments, it never develops a consistent voice that holds the album together. The fault doesn't lay with the guest stars or even with Santana, who continues to turn in fine performances…
Five CD box set containing a quintet of their albums housed together in an attractive slipcase: Chicago Transit Authority (1969), Chicago II (1970), Chicago V (1972), Chicago VI (1973) and Chicago VII (1974). While Chicago are oft remembered as a Pop/Rock hit making machine, their musical roots were Jazz-oriented and this quintet of albums features the band blending their commercial sensibilities with their excellent Jazz/Rock musicianship
This box set containing the remastered, expanded editions of all five of Simon & Garfunkel's original LPs on five CDs just – but only just – misses a top rating, by virtue of its packaging. The sound is, as with the individual editions of each title, a significant improvement over any prior releases of this material and proves to be utterly impeccable, and the annotated booklet, containing the original credits and notes off the albums as well as the lyrics and all of the new annotation for each individual album by Bud Scoppa, is fairly handy…
As the most anticipated musical of the millennium, Andrew Lloyd Webber’s Love Never Dies is almost guaranteed a lukewarm reception. Being the sequel to The Phantom of the Opera, the most successful musical of all time, tends to have that effect…