With its pop adaptations of Bach and its album with the Edmonton Symphony Orchestra, Procol Harum was an early advocate of a marriage between rock and classical music. So, this album of Procol Harum music recorded by the London Symphony Orchestra, the London Philharmonic Orchestra, and (on the title track) the Sinfonia of London, with former Procol Harum vocalist/pianist Gary Brooker singing on seven of the 12 tracks and producing, and with former Procol Harum guitarist Robin Trower and organist Matthew Fisher appearing on a version of "Repent Walpurgis," would seem like a more comfortable combination than similar recent collections devoted to the Rolling Stones and Yes…
The fourth album by Procol Harum was released as the band was in the midst of a significant shift. With the departure of organist Matthew Fisher, guitarist Robin Trower stepped more to the fore. The two-keyboard approach was still being utilized, with singer Gary Brooker's piano being joined on some selections by the organ playing of multi-instrumentalist Chris Copping. However, the stately grandeur that had been previously applied with grace and subtlety gave way to a band that rocked much harder…
Filmed against the stunning backdrop of Denmark's Ledreborg Castle in summer 2006, this spectacular concert combines the power and artisrty of Procol Harum performing live with the symphonic splendour of the Danish National Concert Orchetra and Choir. The show features songs spanning Procol Harum's four decades of music making, from A Whiter Shade of Pale to An Old English Dream, all given a new dimension by the combination of rock band and orchetra…
This whole album was an afterthought – Procol Harum had been invited to play a concert with the Edmonton Symphony Orchestra and the Da Camera Singers in Edmonton, Alberta, Canada, in August of 1971, at the tail-end of their last tour with Robin Trower in the lineup. Amid all of the preparation – including the writing of new orchestral arrangements by Gary Brooker and with a new lead guitarist, Dave Ball, just joining the lineup – Brooker decided that it might be a good idea to preserve a professionally made tape of the show and suggested that A&M Records, to which they were signed, might want to record the performance; the label agreed with just a week to go until the concert.
Procol Harum's seventh studio album, Exotic Birds and Fruit, was released in April 1974. In its original LP incarnation, four songs made up side one – "Nothing But the Truth," "Beyond the Pale," "As Strong as Samson," and "The Idol" – all of which featured some of the band's best later work. They had retreated somewhat from the orchestral hybrid of their previous album, Grand Hotel, although "Nothing But the Truth" still boasted a string arrangement.
Procol Harum's seventh studio album, Exotic Birds and Fruit, was released in April 1974. In its original LP incarnation, four songs made up side one – "Nothing But the Truth," "Beyond the Pale," "As Strong as Samson," and "The Idol" – all of which featured some of the band's best later work. They had retreated somewhat from the orchestral hybrid of their previous album, Grand Hotel, although "Nothing But the Truth" still boasted a string arrangement.
The fourth album by Procol Harum was released as the band was in the midst of a significant shift. With the departure of organist Matthew Fisher, guitarist Robin Trower stepped more to the fore. The two-keyboard approach was still being utilized, with singer Gary Brooker's piano being joined on some selections by the organ playing of multi-instrumentalist Chris Copping. However, the stately grandeur that had been previously applied with grace and subtlety gave way to a band that rocked much harder…