Recording Date 1973 - 1992. This box set is a deluxe masterpiece in its creation. It starts off as a box that has a box within it that slides out the open side and inside the middle box there are the 3 cds and a booklet. The discs are a complete overview of Brian Enos' vocal music. The first disc contains the first 2 solo albums he made. It is refreshing to have them both together vurtually untouched(i say vurtually because I dont even know what they omitted to fit them on together). The second disc contains the bulk of Another Green World and Before and After Science. Both Classics in my book. The last disc is the treasure for most people probably have the first 4 albums. The first discs only throw hints of having rare tracks with only a couple per cd. The 3rd disc which has not only Enos projects for outside artists represented but it also contains the unfinshed album of pop songs called My Squelchy Life. As far as i can tell he hasnt made anything like those early vocal albums since he worked on this album back in 91. Consequently the disc is very valuable and with the deluxe packaging of the box it makes a terrific box set.
Famous among Progressive rock fans worldwide for being probably the classiest (and most complete) publication in this style, the Finnish magazine Colossus had the great idea to ask thirty bands of the whole world to illustrate the national Finnish epic: "Kalevala". It is made of old ballads and traditional songs, but is also part of a huge group of legends, which has inspired both J.R.R. Tolkien for his mythic "Lord Of The Rings" and composer Sibelius, among others. The idea that contributed to the creation of "Kalevala - A Finnish Progressive Rock Epic" was to use exclusively instruments of the Seventies, in order to obtain the "Aging" that the story needed. The result is absolutely stunning: three albums included in a box-set designed as beautifully as the famous Colossus covers. As for the music, the listener won't be disappointed! He'll be delighted to hear about four hours of sumptuous and rich (Vocal or instrumental) Progressive rock…
The Blue successfully expands on the sound experiment of Materia, the previous Novembre album, but also brings in elements from their earlier works. On some songs, it is easy to notice the mix of powerful death metal elements and the more mellow yet progressive side of Materia.
Contrary to their previous disc, The Blue exudes greater use of death metal-styled vocals and screams from Carmelo Orlando, but he hasn't abandoned his sombre clean tone completely. Actually, most of the tunes on The Blue boast his unmistakable clean singing a la Materia, such as "Cobalt of March" with its Ulverian intro and excellent guitar cascades; "Bluecracy" with its penchant for melodic guitar lines and groove-oriented rhythmic facade; or "Architeme" with its detailed Radiohead-like arrangement, something which has been carried over from Materia as well…
GORGONE is a French progressive rock band founded in 2024 by Caroline and Alexandre Indjein. The vocal harmonies are honored and they evolve into a multidirectional music, with a fictional language.
The Windmill are a Norwegian progressive rock band formed in 2001 in the outskirts of Oslo. The music is symphonic neo prog influenced by several bands from the golden years of the seventies, such as Genesis, Pink Floyd, Camel and others. The debut album "To be Сontinued …" was released May 2010.
The album is filled with excellent compositions, built around melodic guitars, powerful organs, lovely vocal arrangements and some superb synthesizers. The album even contains a fantastic 21-min. epic, entitled ''A Day in a Hero's Life'', with strong Genesis, Yes and Camel inspirations, led by strong breaks, dramatic changes, instant melodies and a very rich and sensitive approach, incorporating influences also from Folk Music and Heavy Rock. But the remaining pieces are actually on the same level, full of delicate flutes, smooth organ and intricate guitar ideas to go along with quite decent vocals…
Yes had fallen out of critical favor with Tales from Topographic Oceans, a two-record set of four songs that reviewers found indulgent. But they had not fallen out of the Top Ten, and so they had little incentive to curb their musical ambitiousness. Relayer, released 11 months after Tales, was a single-disc, three-song album, its music organized into suites that alternated abrasive, rhythmically dense instrumental sections featuring solos for the various instruments with delicate vocal and choral sections featuring poetic lyrics devoted to spiritual imagery. Such compositions seemed intended to provide an interesting musical landscape over which the listener might travel, and enough Yes fans did that to make Relayer a Top Ten, gold-selling hit, though critics continued to complain about the lack of concise, coherent song structures.