Between 1976 and 1987, the Alan Parsons Project released ten studio albums, most of them going at least gold in the U.S., several generating big hit singles, too. This was enough to sustain a vigorous cult audience well into 2014, which is when Legacy boxed all ten of the Alan Parsons Project albums, adding the scrapped 1981 record The Sicilian Defense to bring in the hardcore who already have purchased this catalog several times over, including deluxe editions that contain bonus material nowhere to be found here…
The Best of the Alan Parsons Project, Vol. 2 typically picks up where its predecessor left off. With 11 tracks covering seven albums, including Gaudi, Stereotomy, and Vulture Culture, the songs here are a tad weaker than those on the first collection, since some of the albums that these songs originate from were not of this band's finest caliber. The highlights here include both "Prime Time" and "Don't Answer Me" from Ammonia Avenue, and the provocative instrumental "I Robot," the only non-vocal track on the album. All of the selections on this package convey their purpose much better within their former albums, since each song is a link in the album's conceptual chain.
Barock Project is the name of an Italian Progressive rock band, made of young but very experienced musicians. They are led by keyboardist virtuoso Luca Zabbini, who composed a concerto for piano and saxophone, a true sign of excellent musical abilities! Their project is described by themselves, "To spread the finest and perfect structure of classic music (Mainly baroque music) with a rock style, and a little bit of jazz harmony, all supported by a pop song structure".
Barock Project's 5th album is called Vivo. It's a live celebration of 10 years of composing and recording activity. Vivo is released as a digifile double CD, featuring the band's 2015 full live show setlist, recorded in 2015, plus one previously unreleased "studio" song, for a total of 120 minutes of music…
Devin Townsend, possibly more widely known as the frontman for the extreme metal act Strapping Young Lad, began creating solo albums in 1997. Sometimes referred to as the 'Mad Scientist of Metal', Townsend produces a wide variety of music. This ranges from soft ambience designed, as he has stated, to put the listener to sleep, to high levels of thrash and extreme metal reminiscent of SYL. His works often feature a 'wall of sound', built by adding many layers of guitars and keyboards that are playing in unison or harmony. The end result is a number of carefully produced and mixed albums that favor high-end sound systems. Devin Townsend Project is another venture of Devin Townsend, considered separate from the material released as Devin Townsend. The project was originally conceived to comprise four albums of differing musical styles, each with a different set of guest/session musicians backing Townsend, but ended up continuing beyond that.
Eye in the Sky provided the Alan Parsons Project with their first Top Ten hit since 1977's I Robot, and it's hard not to feel that crossover success was one of the driving forces behind this album…
Alan Parsons was 19 years old when he landed a job at the world famous Abbey Road Studios, an important first step on his journey to becoming a world class engineer, producer and artist. Following his beginnings with George Martin and The Beatles, his contribution to Pink Floyd's classic 'The Dark Side Of The Moon' earned him worldwide attention. As a producer he had many hits with Pilot, John Miles, Ambrosia and Al Stewart. Together with his manager and creative partner at the time, Eric Woolfson, he developed the Alan Parsons Project. Following their debut album "Tales Of Mystery And Imagination" (1976), they released a series of hit albums; namely "I Robot" (1977), "Pyramid" (1978), "The Turn of a Friendly Card" (1980), "Eye in the Sky" (1982), "Ammonia Avenue" (1984), "Vulture Culture" (1985), "Stereotomy" (1986) and "Gaudi" (1987).