Prologue

The prologue is a unique feature of early baroque opera: an opening scene where an allegorical figure enters the stage to prepare the audience for the musical drama to come. Thus Prologue is the musical introduction of Italian star soprano Francesca Aspromonte and her exclusive, long term engagement with Pentatone, promising great joy as well as drama in the years to come. Prologue is a highly original album consisting of several prologues from early-baroque operas by Monteverdi, Caccini, Cavalli, Landi, Rossi, Cesti, Stradella and Scarlatti. Strung together, they form a representation in a single act, a theatre full of small, complete dramas: the opera before the opera. Francesca Aspromonte is quickly establishing herself as a shining star in the Baroque firmament. She has curated this album together with musical director Enrico Onofri, who leads il pomo doro, one of the most important and successful period ensembles of today.

The first album by the '70s (i.e. Annie Haslam) version of Renaissance is a transitional work, rooted in more standard hard rock sounds (including psychedelia) than what followed. One can spot the difference, which may please some listeners and put others off, in the fairly heavy guitar sound of "Prologue," Rob Hendry's electric instrument playing both lead and rhythm parts prominently at various times behind Annie Haslam's soaring vocals and adjacent to John Tout's piano…

We're celebrating 10 years of CTS by giving away a FREE compilation album spanning the history of our career. It includes cuts from all of our studio albums including a bonus track from our untitled EP released in 2005. We hope you enjoy and be sure to check the tour dates below to see when we're coming to you're area!!!

The first album by the '70s (i.e. Annie Haslam) version of Renaissance is a transitional work, rooted in more standard hard rock sounds (including psychedelia) than what followed. One can spot the difference, which may please some listeners and put others off, in the fairly heavy guitar sound of "Prologue," Rob Hendry's electric instrument playing both lead and rhythm parts prominently at various times behind Annie Haslam's soaring vocals and adjacent to John Tout's piano. "Kiev" may also startle some longtime fans, since Haslam doesn't handle the lead vocals, the male members' singing being much more prominent.

One of a rapidly growing body of live Gentle Giant performances from the '70s that have begun surfacing on CD, Prologue is the next thing to a bootleg: the fact that the title is misspelled as "Prolouge" on the back cover and the spine is sort of a dead giveaway. The two-CD set encompasses two shows dating from the periods of In a Glass House and The Power and the Glory, respectively; the first disc and part of the second come from an April 5, 1974 concert in Munster, Germany, and the balance of the second disc is filled out with four numbers from an October 10, 1975 show at the Philadelphia Spectrum…

Excellent addition to any prog rock music collection
All change
A slightly misleading title for this album, as it was actually the third release under the Renaissance name. In fairness though, the line up completely changed prior to the release of this album, which saw Annie Haslam take on vocal duties for the first time.