Proust Mp3

‘Not only do I like, admire, and adore your music, I have fallen in love with it, and am still smitten,’ wrote the young Marcel Proust to Gabriel Fauré in 1897. And added, ‘I know your work well enough to write a 300-page volume about it.’ Clearly, In Search of Lost Time is not a book devoted to Fauré, but this composer occupies a more important place therein than has been noted. Along with Reynaldo Hahn, Fauré was the mentor and guiding light of the author’s early years when the young man drew on his conversations with the master and on a re-hearing of Fauré’s scores to expand his musical knowledge and creative thought: ‘I spoke at great length with Fauré last night,’ a 24-year-old Proust confided to Hahn as early as 1895.

Parmi les textes les plus emblématiques de Marcel Proust par Valérie Bonneton, Denis Lavant et Laurent Natrella de la Comédie-Fançaise. Enregistré au Théâtre de l'Athénée Louis Jouvet le 2 décembre 2019 - Douze saynettes croquées avec finesse et humour, le récit est parfois émouvant, souvent piquant et même un peu leste mais toujours subtil. Une façon de se plonger dans l'univers proustien avec légèreté grâce au talent des acteurs.

Although some people might think that the likes of a rediscovered piece of music, one or two mentions of the instrument picked up here and there, a rather startling meeting between the writer and the most famous harpsichordist of the day, along with a metaphor in the guise of an epitaph written by a poetess friend are fairly slender foundations on which to build a programme entitled “A harpsichord for Marcel Proust”, this recording is not about a harpsichord that Marcel Proust had at his home or that belonged to him - it is a harpsichord for Marcel Proust. It is intended as a tribute by a harpsichordist of today to the man who wrote À la Recherche du Temps Perdu and who lived during an all-too-often overlooked period in the instrument’s history.