Psychedelic Rock

Craft Recordings has revealed the full details of the forthcoming Poppies: Assorted Finery from the First Psychedelic Age: a compilation of 1960s-era psychedelic rock featuring cult-classic artists such as Buffy Sainte-Marie, Circus Maximus and Southwest F.O.B.

If one had to point to a single initial salvo that launched the garage rock revival movement in the 1970s and ‘80s, it would have to be the release of Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 in 1972. Elektra Records had approached rock critic Lenny Kaye (not yet the guitarist with the Patti Smith Group) with the notion of compiling an album of great, overlooked rock tunes, but what Kaye came up with was something significantly different – an overview of the great, wild era when American bands, goaded by the British Invasion, began honing in on a tougher and more eclectic rock & roll sound, and kids were reawakened to the possibilities of two guitars, bass, and drum…

The Psychedelic Sounds of… is the Elevators’ ground-breaking debut from 1966 and lays claim to being the first psychedelic rock album—and is certainly the first to use the word 'psychedelic'. Known for founder Tommy Hall’s use of the electric jug and Roky Erickson’s emotive singing of Hall’s poetic lyrics. This edition of The Psychedelic Sounds of… features the mono mix on picture disc vinyl using the original cover artwork, which was recently chosen by the UK’s National Album Day as one of the best 70 album sleeves of all time, and best sleeve from 1966. 2019 Record Store Day exclusive. Limited to 1000 copies.

"Psychedelic Teatime" - the title of Berlin psychedelic prog project Margin's debut album says it all. Because when the various sections of the predominantly long tracks flow in and out of each other; when musical structures dissolve before building back up again, and when melodies, sounds and noises all interconnect, it as if the spirit of Pink Floyd is wafting between the notes. But despite these psychedelic foundations, Margin retain their individuality. Because on this album, psychedelic art rock blends with progressive rock in ways which are new and unique. Margin's debut album "Psychedelic Teatime" therefore proves itself to be a fascinating reference album for psychedelic prog as it is today.

West Wales-based Sendelica bring plenty of reliable psychedelic/space-rock sounds to their colourful instrumental journeys on the double CD/vinyl set `Live from the 7th Psychedelic Network Festival 2014'. Recorded on Friday the 28th November 2014 at the Cairo Club in Wurxburg, Germany, the group for this performance was comprised of core members Pete Bingham (guitars, electronics), Glenda Pescado (bass), Lee Relfe (sax) and Meurig Griffiths on drums with Lord Armstrong Sealand on theremin and synths…

This Box Set features 5 discs celebrating 5 legendary progressive rock labels! Part of the successful EMI Global Prog Rocks! Campaign, highlighting the work of some of the World's greatest artists associated with the genre. Featuring classic Prog riches from Harvest, Charisma, Virgin, Liberty / UA and newer, more cutting edge progressive rock from the enterprising Inside Out label. This compilation serves as the ideal introduction to the wide variety of bands and musical styles on these labels and offers a broad insight into the delights of progressive music! Syd Barrett, Electric Light Orchestra, Barclay James Harvest, Van Der Graaf Generator, The Nice, Peter Hammill, Gong, Hatfield And The North, Tangerine Dream, Steve Hillage, Daevid Allen, Hawkwind, Pain Of Salvation, Riverside and many more.

After a few years of outdoing the Rolling Stones at their own game, Messrs. May and Co., clearly affected by their love of swinging London nightlife and all that went with it, injected their primal R&B roots with added spice (as Mike Stax, "numero uno Los Pretty Things fan," points out in his excellent liner notes). "Can't Stand the Pain" (from the 1965 Get The Picture album) has "a remarkably effective mood with a sense of a dreamy disembodiment that foreshadows what was yet to come with the arrival of psychedelia." By April 1966, B-side "LSD," yet another controversial shot in the Pretty Things' canon, helped pioneer the "freakbeat" sound, whilst the media's attacks on the Pretties slack, druggy values were foremost to the changing times - in fact, the record was a play on words about the English economy and not a celebration of the merits of LSD usage…