Puer

Capilla Flamenca - Puer nobis: Kerstmis in de Renaissance (Christmas in the Renaissance) (1994) {Eufoda 1147}
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© 1994 Eufoda | 1147
Classical / Early Music / Renaissance / Christmas

The vocal and instrumental consort Capilla Flamenca takes its name from the choir of the court chapel of Emperor Charles V. When Charles left the Low Countries in 1517, he took his best musicians with him in order to accompany him as ‘living polyphony’ to Spain.

Stile Antico’s newest programme centres on Tallis’s magnificent 7-part ‘Christmas’ Mass, based on the festive plainchant Puer natus est, in a new edition prepared by Sally Dunkley. The mass is interspersed with seasonal Tudor music, including Byrd’s exquisite Propers for the fourth Sunday of Advent, responsories by Taverner and Sheppard, Robert White’s exuberant setting of the Magnificat, and Tallis’s own sublime Videte miraculum.

Gramophone Record of the Year-winning group The Cardinall’s Musick continues its exploration of Tallis’s sacred music. These recordings not only showcase the greatest repertoire of the English Renaissance in dazzling performances, but also illustrate the complex historical and political background of the works and their genesis.

Glen Slater writes in his introduction: "This volume, for the first time, collects James Hillman's running encounters with a primary psychological pattern, an archetype that arises alongside the very attempt to fashion psychological perspective. Senex and puer are Latin terms for "old man" and "youth," and personify the poles of tradition, stasis, structure, and authority on one side, and immediacy, wandering, invention and idealism on the other. The senex consolidates, grounds and disciplines; the puer flashes with insight and thrives on fantasy and creativity. …