Famed for their perennial "All Right Now," Free helped lay the foundations for the rise of hard rock, stripping the earthy sound of British blues down to its raw, minimalist core to pioneer a brand of proto-metal later popularized by 1970's superstars like Foreigner, Foghat and Bad Company. Free formed in London in 1968 when guitarist Paul Kossoff, then a member of the blues unit Black Cat Bones, was taken to see vocalist Paul Rodgers' group Brown Sugar by a friend, drummer Tom Mautner.
Manic Street Preachers have always been a band of very specific charms, something that has not translated outside of the U.K. particularly well. Although it boasts a generous 20 tracks, the 2002 compilation Forever Delayed isn't likely to change that situation, even if it has the lion's share of their big singles, since a band devoted to sloganeering doesn't play outside of their province, or era, without some knowledge of their context…
Guitarist, singer, and songwriter W.C. Clark was one of Austin's original blues musicians, and he is considered the godfather of that city's blues scene. Wesley Curley Clark was born and raised in Austin and grew up surrounded by music, since his father was a guitar player and his mother and grandmother sang in the choir at St. John's College Baptist Church. By the time he was 16, he played his first show at Victory Grill and was introduced to local legends T.D. Bell and Erbie Bowser…..
Collectors of our Romantic Piano Concertos will already know the name of Sergei Bortkiewicz and just a small something of what to expect of this first recording of his two symphonies. Martyn Brabbins and the BBC Scottish played the First Symphony in a public concert the day before this recording was made. Here is what The Glasgow Herald said of the occasion: "Last night the one-man Tchaikovsky tribute band, Sergei Bortkiewicz, roared into town with his first symphony and left the BBC SSO, conductor Martyn Brabbins, and the audience, with grins as wide as the Volga fabulous orchestration, thoroughgoing craftsmanship, and an exuberant panache that raised the whole thing several storeys above mere pastiche. It's a dazzling, hugely enjoyable barnstormer with a gorgeous slow movement (containing an oboe theme to die for), and a punch line so familiar, yet so unexpected, that it's uproarious. Someone tell the London gaffer to put this in the Promsit would blow the audience clean away."
Weight of the World is a 2002 album by the Canadian hard rock band Harem Scarem. The mainstay of this album are the HUGE harmony vocals similar to Hysteria era Def Leppard or even the lesser known 80's band, Blue Tears, but with more of a punch.