Purobeach Oasis Nueve Flac

As he was developing his formidable career in the early era of smooth jazz, the saxman proved an invaluable sideman of Chick Corea's Elektric Band, David Benoit's touring ensemble and a studio player for projects by such artists as Keiko Matsui and Mike Garson. Yet as a solo artist, he spent his first three albums searching for an identity that ranged from pop (Round Trip) to electronic mainstream jazz (Crossroads). With Oasis, his search came to a diverse, exciting, and highly enjoyable end. Marienthal applies his stellar blowing techniquest to styles ranging from folk to gospel, but the overall attitude he conveys is sweet and soulful R&B, as in the hoppin' grooves of the funky opening tracks "Hustlin'" and "Seafood to Go."

Brit Pop emerged in the U.K. as a music trend characterized by the use of exclusively British music influences to shape the sound of up and coming bands in the 1990s when multiple bands emerged in the early 90s that ended up leaving us with a superb catalog of memorable songs. Out of all of them, Oasis and Blur were the ones that achieved the biggest global success. In The Many Faces Of Oasis we’ll enjoy the lesser known paths of the band’s members and their multiple collaborations and we will enjoy the British rock scene from where they emerged. A 3CD album that features obscure gems, live takes and the side projects that provides the whole picture of the band that took British rock back to the top of the music scene. With fantastic artwork, remastered sound and extensive liner notes, this an essential additional to your rock music collection. Also remember that is not available on streaming platforms!

In 1988, Roberta Flack made a comeback after a long hiatus away from the recording studios with a new album of songs in the adult contemporary vein. Using a vast array of top session musicians whose names would easily fill a page and crowd out liner notes, "Oasis" was released to public indifference, even though the title track did hit #1 on the R & B charts.

After the ludicrous props (Rolls Royce, clock, phone box) that cluttered the stage of their uncomfortable Be Here Now tour, the year 2000 saw Oasis wisely dispense with the theatrics and concentrate on being the world's greatest stadium pub rock band. And so, with just three mammoth video walls for company, they toured the stadia of the world. Big as the video screens were, there was little to see. Instead the drama, tension and entertainment of the Standing On The Shoulder Of Giants tour lay in just two simple things: the band's straight-ahead rock and Liam Gallagher's mouth. Joyously, fine examples of both were recorded when they played Wembley Stadium. Musically, Oasis make good their claims to be the biggest and the best, with "Supersonic", "Shakermaker", "Cigarettes & Alcohol" and "Live Forever" rocking like the pub classics they are.