Legendary hard rock vocalist Joe Lynn Turner (RAINBOW, DEEP PURPLE, YNGWIE MALMSTEEN) sings three songs on the new album from THE JAN HOLBERG PROJECT, "At Your Service", which is being released in Norway in January via Nordic Records. Also making guest appearances on the CD are former RAINBOW keyboardist Tony Carey, Age Sten Nilsen (WIG WAM), Gulli Briem, Skjalg Mikalsen Raaen, Eypor Gunnarsson, Fridrik Karlsson and Ranveig Seljemark.
Now reduced to a three-piece (John Murphy, Jeff Murphy, and Gary Klebe), the band recorded their fifth album independently in their home studio in Illinois. A pleasant though unexceptional album, Silhouette is a softer, more keyboard-dominated effort. Without an American outlet (they left Elektra prior to recording), this album was only available in Europe until the band's own label, Black Vinyl Records, reissued it in the late '80s.
By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.
For the serious Aerosmith fan looking to obtain all of the band's classic releases for Columbia, 1994's Box of Fire is a quintessential purchase. Included are all of the band's 12 releases for their original record company, as well as a five-track bonus disc that features previously unreleased/hard-to-find songs (an absolute highlight of which is a killer reading of "Rockin' Pneumonia and the Boogie Woogie Flu"). All of the albums have been remastered from the original source tapes using 20-bit technology…
If you can get past the 1940s monaural sound (and if you are not already familiar with this performance, you will get a shock). This is the gentlest, most right sounding rendition I have ever heard. The tempi are uncommonly brisk, though they never sound that way. The third movement has never sounded more beautiful. Halban is perfect in the finale. Walter passed away before he could record this work in stereo. His later performances were very different and I'm still not sure whether or not his later slower tempos and even greater expression were an improvement.