Quake 2

Take these Icelandic works as representational, as suggested by the titles Oceans and Quake, and perhaps Metacosmos. Or take them as abstract, along the lines of the title Concurrence (and that of the successful predecessor to this album, Recurrence). It doesn't really matter: the perspectives converge in the music, which is virtuosic and dense, yet elemental and viscerally affecting. The four works might be grouped in several ways. Haukur Tómasson's Piano Concerto No. 2 and Páll Ragnar Pálsson's Quake each make use of a solo instrument (in Pálsson's case a cello), and listeners could easily become engrossed in the treatment of the soloist in these two works alone.

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Marking his return to Smog Veil after a string of top sellers for various labels, Cleveland's punk-junk-funk one-man garage industry, Bim Thomas (This Moment In Black History, Bassholes) delivers a 12 song ripper full of soulful grooves, sonic manipulations, and hooks and lyrics you will not soon forget. Spin if you like Beefeater, Living Color, 24-7 Spyz and everything in between. "… Thomas's grooves are so simple and powerful they feel instantly classic, as if he plucked them from some hidden vault of magic funk tricks."