Early on in his career, the violin became an immensely important instrument for Alfred Schnittke (1934-1998). He developed a remarkable skill in composing for the instrument, resulting in a number of highly successful works of which several have been gathered on this disc. During the 1960s, a time when the violin was not the preferred instrument for the avant-garde as it carried too much historical ballast, Schnittke used it as tool for experimentation developing polystylism, an incorporation of historical sources or techniques into a modernistic context.
An early polystylistic work was Quasi una sonata, one of Schnittke's best-known works largely due to its narrative character; Schnittke tells a story filled with contrasts and drama.
Area's uncompromising blend of jazz-rock, ethnic folk, experimentation, and political philosophies made them a unique presence in Italy during the 1970s…
The Symphony of Sirens. In 1922 Arseni Avraamov composed and conducted a visionary public sound event, activating the entire port city of Baku: its factory sirens, the ships horns of the entire Caspian flotilla, two batteries of artillery, several full infantry regiments, trucks, seaplanes, 25 steam locomotives, an array of pitched whistles and several massive choirs. Constantly referenced but forever lost, this extraordinary event is here painstakingly reconstructed and spatialised to approximate the original experience.(Booklet Extract)
John Storgårds and the BBC Philharmonic here present a complete set of Nielsen’s symphonies, following on from the successful release a year ago of Sibelius’ complete symphonies. The two sets together celebrate the 150th anniversary this year of the birth of both composers. Several concerts devoted to Nielsen’s symphonies, played by the same forces, coincide with this release: on BBC 3 in February, at the Nielsen and Sibelius festival in Stockholm in April, during a week of celebrations at the Bridgewater Hall in June, etc.