Queen Bohemian Rhapsody

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece…

The posthumously released, two-disc Live at Wembley '86 proves once and for all that Queen was a superior live band, and like the Beatles, the Stones, etc., had far too many hits to fit into a two-hour show. Recorded in their native England at the gigantic Wembley Stadium on their A Kind of Magic tour, the group was at their peak of popularity back home…

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity.

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity…

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody."

The latest in a long line of Queen compilations stretching back to 1981's Greatest Hits, 2009's Absolute Greatest runs a generous 20 tracks yet still manages to miss several classic Queen songs, such as "Fat Bottomed Girls," "Bicycle Race," "Good Old-Fashioned Lover Boy," "Flash's Theme," and "Tie Your Mother Down." In their place are several latter-day singles that were hits in Europe but not America ("The Show Must Go On," "Who Wants to Live Forever," "These Are the Days of Our Lives"), so it makes sense that this compilation in its various formats – a single-disc set, a double-disc where the second CD contains commentary by Brian May and Roger Taylor, one with a hardcover book, one with LPs – appeared in the U.K. and Europe first, because it was tailored for this market.

Essentially, the 2007 release Queen Rock Montreal is the long-delayed official release of the soundtrack to the We Will Rock You concert video, capturing highlights from the group's two-night stand at the Montreal Forum on November 24 and 25, 1981. This double-disc contains the full set, including the previously unreleased "Flash" and "The Hero," and it benefits from the ebb and flow of a full concert, giving a broader, fuller sense of Queen at the peak of their power, which they were close to being at the time this was recorded…

Greatest Hits is a compilation album by the British rock band Queen, released worldwide on 26 October 1981. The album consisted of Queen's best-selling singles since their first chart appearance in 1974 with "Seven Seas of Rhye", up to their 1980 hit "Flash" (though in some countries "Under Pressure", the band's 1981 chart-topper with David Bowie, was included). There was no universal track listing or cover art for the album, and each territory's tracks were dependent on what singles had been released there and which were successful.

As Queen's second live album, Live Magic might appear to be a bit unnecessary, but a closer look reveals that it's a better record than the previous Live Killers. Culled from a variety of dates from the 1986 Kind of Magic tour but concentrating on the final show at Knebworth, Live Magic captures Queen, and Freddie Mercury in particular, at the height of their powers. While the set list might rely a bit too heavily on mediocre mid-'80s material for some tastes, the band is tight and professional, and Mercury has an undeniable hold over the crowd. It's to Queen's credit that the energy rarely dips over the course of the record.