Race to The Bottom of Crazy

Three CDs. With an Americana music pedigree born of their Appalachia roots, The Everly Brothers ably crossed over from the pop charts to the country music charts during their hit-making heyday. During the mid sixties however they suffered a lean spell for commercial success all the while trying to update their sound. RPM focusses on the following period from November 1966 - November 1968 when the Everlys recorded mostly in Los Angeles rather than Nashville with the duo searching for a musical direction. Disc One presents the The Hit Sound album, recorded from December 1966 onwards, with contemporary rock 'n' roll and pop covered in Everlys harmony style updated with the cream of the LA session crew including Glen Campbell, Larry Knechtel, Ray Pohlman, Hal Blaine. Includes bonus tracks. Disc Two presents the Sing album, the Everlys and their label Warner's response to the prevailing 'youthquake' band sound straddling the transatlantic. On the album are songs by The Buckinghams, Patrick Campbell Lyons, Procul Harum. Includes bonus tracks. Disc Three presents the Roots album, pieced together from the LA sessions at studios like Goldstar, conducted by Lenny Waronker during April-September 1968, again with the Wrecking Crew aided by Van Dyke Parks and James Burton. The Everlys took the chance to pay homage to their country roots with songs by contemporary country writers Merle Haggard, Glen Campbell, George Jones as well as more from their own pen. In addition, amongst the bonus tracks here, from the November 1968 sessions held after Roots, are Neil Young's 'Mr. Soul' and Dolly Parton's 'In The Good Old Days'. Waronker had produced Newman in pre-Harpers Bizarre band The Tikis, and with Van Dyke Parkes the subsequent solo album by Newman.

Three CDs. With an Americana music pedigree born of their Appalachia roots, The Everly Brothers ably crossed over from the pop charts to the country music charts during their hit-making heyday. During the mid sixties however they suffered a lean spell for commercial success all the while trying to update their sound. RPM focusses on the following period from November 1966 - November 1968 when the Everlys recorded mostly in Los Angeles rather than Nashville with the duo searching for a musical direction. Disc One presents the The Hit Sound album, recorded from December 1966 onwards, with contemporary rock 'n' roll and pop covered in Everlys harmony style updated with the cream of the LA session crew including Glen Campbell, Larry Knechtel, Ray Pohlman, Hal Blaine. Includes bonus tracks. Disc Two presents the Sing album, the Everlys and their label Warner's response to the prevailing 'youthquake' band sound straddling the transatlantic. On the album are songs by The Buckinghams, Patrick Campbell Lyons, Procul Harum. Includes bonus tracks. Disc Three presents the Roots album, pieced together from the LA sessions at studios like Goldstar, conducted by Lenny Waronker during April-September 1968, again with the Wrecking Crew aided by Van Dyke Parks and James Burton. The Everlys took the chance to pay homage to their country roots with songs by contemporary country writers Merle Haggard, Glen Campbell, George Jones as well as more from their own pen. In addition, amongst the bonus tracks here, from the November 1968 sessions held after Roots, are Neil Young's 'Mr. Soul' and Dolly Parton's 'In The Good Old Days'. Waronker had produced Newman in pre-Harpers Bizarre band The Tikis, and with Van Dyke Parkes the subsequent solo album by Newman.

Mysteries in the archives, ten investigations into ten events of the twentieth century that have marked our memory and our imagination.

In 2014 The Everly Brothers’ legacy was saluted at the Americana Music Assn. show , held at The Troubador, Los Angeles. The artists in the show including Bonnie Raitt, Ry Cooder, Rodney Crowell, T Bone Burnett, Joe Henry, Asher, Rhiannon Giddens, Jim Lauderdale, Dawes, the Milk Carton Kids, used The Everly Brothers music as its musical anchor. With the current widespread rise in popularity of Americana music as a genre, now seems a good time to reappraise and re-establish one of the first true Country Rock albums – the 1968 Everly Brothers album ROOTS. This box set presents the build-up story to this landmark album.

The third and last of Bear Family's Everly box sets, Chained to a Memory 1966-1972, chronicles the final act of the Everly Brothers' prime years, beginning just after the duo started to shake their mid-'60s doldrums and documenting their subsequent revival as they shifted to country-rock, the sound they continued to mine until their acrimonious split in 1973. This is a weighty set, containing a hefty hardcover book and a bonus DVD in addition to ten CDs, but the extra length isn't merely Bear Family's modus operandi – it's needed to bring an end to a story this epic. Indeed, the music on Chained to a Memory is in some ways some of the most interesting the Everlys ever produced. As their star began to fade, the Everlys reconnected with their country beginnings, quite deliberately titling their 1968 makeover, Roots, finding a wealth of new sounds and sentiments within country-rock. They exhibited a keen ear for material from emerging songwriters, and they wrote some terrific new songs, songs that exhibited the widening chasm between the two brothers who shared a sound and continued to harmonize beautifully together even as their sensibilities began to drift apart.