Rachel Barton Pine has often performed the Sonatas and Partitas of Johann Sebastian Bach in recital, but her 2016 release on Avie is her first studio recording of this essential masterwork for violinists. Using a Baroque bow on a modernized 1742 Guarneri de Gesù violin, Pine plays the Sonatas and Partitas with crisp accentuation, transparent voicing, and a warm tone, much as she does in her concert performances.
Among countless interpretations of Vivaldi's Four Seasons, which range from modernized performances for large string orchestra to period-style versions for much leaner ensembles, there are few as pared-down as Rachel Podger's performances with Brecon Baroque. Podger plays the virtuosic solo violin part and directs an ensemble consisting of two violins, one viola, and one cello, supported by a continuo of violone, theorbo, and harpsichord or chamber organ. This might give an impression of extreme austerity or thinness of sound, but the surprising richness of the group's textures suggests that tonal production counts more than the number of players.