Radio Stream Ripper

A star in her native Denmark, jazz singer Sinne Eeg has been weaving her spell in performances throughout Europe, the United States and Asia, where audiences and critics alike have responded enthusiastically to her dark, alluring voice, rich timbre, impeccable intonation, inherent sense of swing and remarkably natural scatting ability that recalls her own vocal jazz heroes, Ella Fitzgerald, Sarah Vaughan and Anita O'Day. On We've Just Begun, her winning collaboration with the 19-piece Danish Radio Big Band and 9th album overall, Eeg sings with signature soulfulness, sassy spirit and jazzy abandon on a program of three well-chosen standards, a swinging adaptation of a tune from a vintage Danish film, and five affecting originals with Eeg as composer and/or lyricist.

The protagonist of Saint-Saëns’ Proserpine, premiered at the Opéra-Comique on 14 March 1887, is no reincarnation of the ancient goddess, but a Renaissance courtesan well versed in culpable amours. According to the composer, she is ‘a damned soul for whom true love is a forbidden fruit; as soon as she approaches it, she experiences torture’. Yet for all the innocence of her rival Angiola, the unexpected happens: ‘It is the bloodthirsty beast that is admirable; the sweet creature is no more than pretty and likeable.’ Visibly enraptured by this delight in horror, Saint-Saëns indulges in unprecedented orchestral modernity, piling on the dissonances beneath his characters’ cries of rage or despair. He concluded thus: ‘Proserpine is, of all my stage works, the most advanced in the Wagnerian system.’ The least-known, too, and one which it was high time to reveal to the public, in its second version, revised in 1899.

We are very happy to announce the release of our CD - WIND DANCE with the music of the extremely inspirational trumpet player, composer and arranger Alex Sipiagin. Our collaboration with this amazing artist has brought us a big musical satisfaction, and the opportunity to work with and discover a great rhythm section comprising of Misha Tsiganov as pianist and exquisite arranger for big band, the extremely lyrical bassist Makar Novikov and the versatile and magician-like drummer Sasha Mashin. A big thank to Will Vinson who is featured as guest soloist and who's solos up-lift us. We wish to thank Liliana Staicu, Gilda Radulescu, Tiberiu Comandasu Editura Casa Radio, Radio România for all their support and our sound team - Florin Tudor, Andrei Barbu and Dan Popescu who worked with us on recording, mixing and mastering the material.

One of the most promising and talented composer/arrangers of her generation, Grammy-nominated Miho Hazama releases her inspired new album, Imaginary Visions - her first album to feature the Danish Radio Big Band of which she is chief conductor.

About the album Porridge Radio grew out of Dana Margolin’s bedroom, where she started making music in private. Living in the seaside town of Brighton, she recorded songs and slowly started playing them at open mic nights to rooms of old men who stared at her quietly as she screamed in their faces.

In 'Songs from the Planet of Life,' composer Helge Iberg uses poems of the taoist tradition to shed light on the ecological situation. An impressive handful of soloists come together with The Norwegian Radio Orchestra for this touching musical reflection on the present state of the planet and humankind. Norway's biggest newspaper Aftenposten, describes the work as "Heavenly! Iberg's concept gave us a night we will never forget!" An all-night Concerto Grosso for five soloists, narrator and symphony orchestra; extensive, grand-scale and correspondingly powerful a new Das Lied von der Erde inspired by Gustav Mahler's iconic art piece. The piece consists of 9 movements. Vocal artist Sidsel Endresen narrates the poems together with LiuTiegang, actor and leader of The National Theater of China in Beijing. Elise Batnes's interpretation of Tale of Sorrowful Song is outstanding. Christian Ihle Hadland's piano-playing is equally poignant in Lotus Dance, while Marianne Beate Kielland and Frank Havroy spellbind us in Long Autumn Night contrasted by Tom Ottar Andreassen's alto flute, all safely guided by conductor Kai Grinde Myrann.

This is the second and final disc in a cycle of Sergei Prokofiev’s piano concertos with pianist Olli Mustonen and the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. Of the first volume, Gramophone wrote: 'How many times have I regretted a shortage of fantasy, flair and fairy-tale imagination in recordings of the Prokofiev piano concertos? Well, here is a disc that takes all those qualities to the top'.

The medieval concept of Venus’ Wheel is the symbolic framework for this collection of timeless choral works by the Danish composer Bo Holten (b. 1948). Himself a renowned conductor, Holten leads the Flemish Radio Choir on a passionate journey through the many facets of love, using the whole of musical history as a framework and sounding board for his own contemporary idiom.

This disc confirms Nicholas Angelich's reputation as the greatest Brahms player of his generation. The pianist's previous recordings of music by the great German Romantic, collections of solo piano music, chamber music, and the First Piano Concerto, were all magnificent, and this recording of the Second Piano Concerto with Paavo Järvi leading the Frankfurt Radio Symphony plus the Klavierstücke, Op. 76, is at the same level.