Renata Scotto shows an amazing flexibility and control. Her Caro nome is one to be heard many times. She reaches a high D and decrescendo's to an incredible ppp. I felt the aria drug a little in tempo, but the gorgeous sound more than made up for it. As Rigoletto, Dietrich Fischer-Dieskau has the vocal power demanded by the score. Too often he sounded as if he was delivering a recital of Leider. A smooth velvet sound was his mark throughout. In his duets with Gilda, this payed off handsomely. Even in his dealings with the courtiers after Gilda's abduction he showed us a rarely seen Dietrich blustery side.
One of the very greatest collections of Dvorák recordings in the catalog, this set contains the four late tone poems based on folk legends, all of the major overtures (including the In Nature's Realm, Carnival, and Othello trilogy), and the magnificent Symphonic Variations. That's over two and a half hours of the some of the most colorful, appealing music in the history of the universe, all magnificently performed and recorded. If you don't own this set, you haven't lived.
Deux éclairages visionnaires et complémentaires sur les « plantes maîtresses ».
Pour le monde occidental, le tabac est une plante dangereuse et mortifère. Or les peuples indigènes, qui l’utilisent dans sa forme la plus naturelle, la voient comme une plante enseignante et guérisseuse. …
Even though the sound expanses traversed by ambient music often evoke feelings of horizontality, layered planeness and volatile textures tranquilly billowing out, it is also true that the greater representatives of the genre and its sub-branches – like mountaineers – mostly seek for sky-scraping verticality. Ranking high in the pantheon of atmosphere architects, Rafael Anton Irisarri certainly has nothing left to prove. Since his beginnings over ten years ago, his output has gained a density that very few can boast having reached, establishing a sound that has the power to haunt your nights and the crucial energy to bring your most buried existential dreams out of mothballs.
Rafael Jimenez Falo is a Gypsy singer born in Oviedo (northern Spain) in 1964. He started performing at - penas flamencos - Flamenco clubs at an early age and he considers the Enrique Morente pena key to his development as an artist. There, he met Flamenco artists from Andalusia and other parts of Spain who gave him a broad vision of Flamenco art.