Raincoat

Armageddon was the only album released by British/American hard rock group Armageddon in 1975. The albums' original liner notes use the term "supergroup". It features Keith Relf of Yardbirds and Renaissance fame, Martin Pugh, lead guitarist on Rod Stewart's "An Old Raincoat Won't Ever Let You Down" and with Steamhammer, US-American Bobby Caldwell who was the drummer of Captain Beyond and with Johnny Winter, and Louis Cennamo who was the bass player for Renaissance and Steamhammer. Armageddon sought to create a style unlike any other in rock. This debut album charted at number 151, but they were effectively scuttled when Relf died of accidental electrocution on May 14, 1976. One of the fiercest, prog-metal, space-rock masterpieces, and worthy of heavy rock hall of fame.

From Joseph W. Sarno - The Master of Erotic Cinema - comes this classic, true-to-life tale brimming with nonstop eroticism, insatiable female lust and carnal sensuality that knows no bounds!

Jazz and Rock-a-Billy shredders extraordinaire Danny Gatton and Buddy Emmons in a live tour-de-force at the Cellar Door, Wsahington DC. From New Year's Eve 1978.

Sam Dalmas (Tony Musante), italo-americano, lavora a Roma in un istituto di scienze naturali. Ha trovato lavoro grazie all'aiuto di un suo amico ornitologo, Carlo. Ma in realtà è uno scrittore, che ha deciso di passare un po' di tempo in Italia, il suo paese di origine, per ritrovare calma e ispirazione. Sam ha appena terminato uno studio sulle caratteristiche dei tipi più rari di uccelli e si appresta a ripartire per gli Stati Uniti con la sua ragazza italiana, Giulia…

In the teenage wastelands of grey early Seventies Britain, where the musical landscape was dominated by introspective singer-songwriters and dour rock bands, the emergence of the outrageous, androgynous, peacock-plumaged Glam Rock scene provided a vital spark in the dark. Sadly the genre was quickly hijacked by the backroom hustlers of the British music industry and their mutton-dressed-as-glam pop idol marionettes. However, Oh! You Pretty Things ignores such lightweight fripperies to concentrate on the real deal. We focus on the twin central strands of Glam Rock: the cerebral and the visceral, with the artier, experimental element of the scene joined by the Ladbroke Grove street rockers and the Steve Marriott-channelling chirpy Cockney geezer street urchins, many of whom had been to drama school and knew how to strike a pose. We examine the trash-aesthetic fault line that joined the seedy, no-longer-swinging London of the early Seventies with New York’s sleazy demi-monde and the incorrigible hucksters of Hollywood. The latter were led by Kim Fowley, ably assisted by LA scenester Rodney Bingenheimer, who opened Rodney’s English Disco (allegedly at Bowie’s suggestion), where the underage groupies, teenage runaways and glitter queens of Sunset Strip hung out with visiting British rock royalty and the likes of Alice Cooper and a wasted Iggy Pop.