Original award winning score (Golden Medal, New York Festivals 1996 a.o.) from the acclaimed awarded movie by Ralf Schmerberg.
Ralf Hildenbeutel (born March 6, 1969 in Frankfurt am Main) is a German composer and producer. He was decisive role in the formation of musical style trance. Together with A.C. Boutsen (Matthias Hoffmann) and Stevie B-Zet (Steffen Britzke) he belonged to the permanent staff of the record label Eye Q Records. The Scene Magazine Front Page wrote in 1995, about 90% of all trance releases have the typical Q-Eye style as a template. Between 1991 and 1998 produced Ralf Hildenbeutel all publications of the star DJs Sven Väth…
Ralf Hildenbeutel (born March 6, 1969 in Frankfurt am Main) is a German composer and producer. He was decisive role in the formation of musical style trance. Together with A.C. Boutsen (Matthias Hoffmann) and Stevie B-Zet (Steffen Britzke) he belonged to the permanent staff of the record label Eye Q Records. The Scene Magazine Front Page wrote in 1995, about 90% of all trance releases have the typical Q-Eye style as a template. Between 1991 and 1998 produced Ralf Hildenbeutel all publications of the star DJs Sven Väth. His main solo project was Earth Nation, the first techno act that occurred at parties with live percussion…
Continuing to work with Conny Plank, who once again provides a compelling job as producer and engineer, Kraftwerk went right ahead and named their new album after their two remaining members – an understandable enough move. Like the first two albums, Ralf and Florian still has not seen official re-release, for all that one can practically taste Kraftwerk's leap into the beyond on it. Given that this was the last album before the most famous lineup was formed and Autobahn was released, it's appropriate to listen to Ralf and Florian as a harbinger for the future, though perhaps all too easy. Take it on its own terms – a further investigation of electronic possibilities in a more open-ended, less constantly structured fashion than would be the case later – and Ralf and Florian becomes most enjoyable.
The stellar cast of this popular opera includes superb singers as well as excellent actors like Kathleen Battle, Leo Nucci, Rockwell Blake, Ferruccio Furlanetto and Enza Dara
Critical praise for this production: “One of [the Met’s] most ingenious stagings in recent years…made to order for a great Rossini ensemble” (New York Times ) – and for this ensemble: “Battle’s coloratura flowed with astonishing ease and grace, beautifully varied in color” (New York Times). “Alongside Battle’s stunning Rosina, the cast is close to ideal…Blake’s Almaviva is extraordinary…Nucci is a remarkable Figaro…Furlanetto makes a formidable Basilio, Dara an irresistible Bartolo” (Répertoire)
In 2010 the world is celebrating the 300th anniversary of the birth of Wilhelm Friedemann Bach, whose music – for the most disparate reasons – was for a long time shrouded in oblivion. Many of his works disappeared completely after the Second World War, and it was not until 1999 that they were rediscovered in Kiev. The present world-première recording of four of his cantatas grants us a fascinating insight into the composer’s output and invites us to join him on a musical voyage of discovery. These ambitious works, which were written for Christmas and Ascension, attest to the technical and musical virtuosity of Johann Sebastian Bach’s eldest son.