Ray Charles Complete

Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from the Royal Opera House, she is, as the Financial Times wrote, 'brilliantly convincing'. Award winning director Katie Mitchell took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. Mitchell also made extensive use of a ‘split screen’ effect on the stage, counterpointing two different pieces of action at key moments.

After Ella Fitzgerald disbanded her own orchestra (the former Chick Webb band) in 1941, she was free to record for Decca in a variety of musical contexts. This set puts together, in chronological order, all of the studio sides she made for that label between 1942 and 1953 singing duets with others singers, such as Louis Armstrong or Louis Jordan, or small vocal groups.

A live recording of Don Giovanni from the Festspielhaus Baden-Baden, recorded on May 23rd 2013, featuring the 'Balthasar-Neumann Choir & Ensdemble', conducted & directed by Thomas Hengelbrock. Erwin Schrott performing in his most celebrated role, Don Giovanni. Featuring a stellar cast of singers – Erwin Schrott, Anna Netrebko, Luca Pisaroni, Malena Ernman. “Schrott creates Don Giovanni in all his malevolent glory — virile, confident, arrogant. He is bursting with animal sexuality, yet manages to hint at the manic obsession that drives the character. Stunning” (Opera Today).

Noted for his exquisite, beautiful playing and a technical wizardry, Accardo is most associated with Paganini. DG are proud to present these legendary Paganini in a deluxe 6CD + Blu-ray Audio package remastered from the original sources. These incredible virtuoso solo violin works are heard in astounding detail in this new 96kHz/24-bit remastering. Accardo's instrument is a Stradivarius dating from 1717.

Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three consisting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirate; Giulia from La vestale; Chimѐne from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano—Eboli’s ‘O don fatale’ from Don Carlo; Carmen’s seductive Habanera and Séguedille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.

Filmed in June 2013 during three extraordinary performances that took place during the Aldeburgh Festival, “Peter Grimes on Aldeburgh beach” takes place in the heart of the town that inspired it and is the film interpretation of Britten’s “Peter Grimes”, the most successful opera of post-war Britain. Based on George Crabbe’s 1810 poem ‘The Borough’, Britten’s powerful and masterful evocation of the North Sea in all its moods has become inextricably linked with the Aldeburgh that was home to Crabbe in the late eighteenth century and Britten in the twentieth, and where both poem and opera were written.

Imagine that ten of the world's most well-known highly regarded filmmakers were given a free hand to make real any vision. Aria is that history-making film. Sexy, violent, thought-provoking and funny, here is the movie critics raved about, audiences flocked to see, and no one could stop talking about. Includes Bridget Fonda's electrifying film debut, a revealing and breathtaking performance from Elizabeth Hurley, and Theresa Russell as the trigger-happy King Zog of Albania.