In honor of what would have been Ray Charles’ 90th birthday year, Tangerine Records is releasing the limited edition box set, True Genius, on September 10th. The record label, which the late legend founded in 1962, has remastered 90 of Charles’ most important works for the six-CD box set.
Ray Charles' explorations into country music were no mere dalliance. They have their genesis in "I'm Movin' On," the last record he made for Atlantic before moving on to ABC Paramount in 1960. But it was with the enormously successful Modern Sounds in Country & Western series of albums in 1962 (and the career making single "I Can't Stop Lovin' You") that made their mark, crossing over genre boundaries that were unthinkable at the time. An African-American doing hillbilly music was not a first, nor were uptown arrangements of hillbilly songs, but here was the Genius of Soul validating the music of the white working class, plain and simple.
Ray Charles’s Modern Sounds in Country and Western Music, Volumes 1 & 2 are major landmarks in American culture. Charles demonstrated that great songs with signature performances work in all genres. “I Can’t Stop Loving You” was a standard in country, soul and R&B, as he proved. Modern Sounds also brought America together during the Sixties’ civil rights movement. Charles became one of the first recording artists to have ownership and complete control of the masters. Modern Sounds in Country and Western Music has been listed among the greatest slbums of all time, along with the Beatles, Dylan, Motown, Springsteen, Hendrix and the Beach Boys.
James Brown may be "the hardest working man in show business," Aretha Franklin may be the Queen of Soul, but as Ultimate Hits Collection proves, the most apt nickname in all of music may belong to Ray Charles: the Genius. Forget for a moment that fitting all of Charles' hits on a mere two CDs is not remotely possible. Almost any Ray Charles greatest-hits compilation is going to be excellent, and this one is better than most, if only because it's two-discs long. Ultimate Hits Collection follows the path of Charles' work as it cruises through the genres he so richly influenced: R&B, pop, jazz, blues, and country. The standard favorites are here from Charles' repertoire, but what sets this compilation apart are the lesser-known tracks. "Mess Around" and "Hide 'Nor Hair" are certainly not as popular as "Hit the Road Jack," but they are no less enjoyable. The most welcome inclusion is Charles' version of the country classic "You Don't Know Me," which is often left off of other Charles retrospectives.
This is a keeper from the word "go." Recorded live in 1995 (but not released until 1998) at Yoshi's in Oakland, CA, Robben Ford is joined by long-time Blue Line trio members Roscoe Beck on bass and Tom Brechtlein on drums, as well as Bill Boublitz on a baby grand piano. Although nearly all of the songs can be found on other Ford albums (most are from Handful of Blues), one of the things that makes this jazzy recording so special is that Ford is playing only an acoustic guitar. The Ray Charles gem "Don't Let the Sun Catch You Crying" (which you WON'T find elsewhere) is simply beautiful, and on Paul Butterfield's "Lovin' Cup," it's just Ford and his guitar. The brilliance of his playing and the reason behind why so many guitar players put him at the top of their list can be found in Ford's performance on this release, alternating between lead and rhythm. The Authorized Bootleg also has great (albeit laid-back) versions of "When I Leave Here" and "Tired of Talkin'." Highly, highly recommended.