The Clerks' Group is a popular a cappella singing ensemble devoted largely to Medieval and Renaissance-era vocal works. It consists of eight singers, but early on performed with as few as six. The range of most of the compositions the group performs spans from the eleventh century to the end of sixteenth century, though there are a small number of contemporary pieces that were commissioned for concert use. At the heart of the repertory are sacred works by Ockeghem, Josquin Desprez, Obrecht, Machaut, Dufay, Dunstable, and other composers of that era.
The original blues shouter found a way to meld some of Jimmy Rushing's rambling jazz phrasing with the low-down tone he naturally bellowed out to Kansas City audiences - sometimes while behind the bar serving drinks. And before hitting the charts with several early rock & roll hits, Big Joe Turner did bedrock work with such fine stride and boogie-woogie pianists as Pete Johnson, Freddie Slack, and Willie "The Lion" Smith. On Classics' 1941-1946 chronological sampler of Turner's early prime, these and other luminaries of the after-hours fraternity sympathetically back Turner over the course of 22 gems. A good chunk of the material finds Turner ideally framed by just a piano trio, with highlights including "Nobody in Mind" (Sammy Price is at the keys for this cut), "Little Bittie Gal's Blues," and "Blues on Central Avenue"…
Beautiful blonde translator Rebecca lives with her boyfriend, ski instructor Marco, in a small mountain villa owned by her friend, nurse Laura. Rene, a cinema projectionist, steals Marco's car while in a daze and gets into a car crash with local farmer Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter…
Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter…
There is an impressive amount of variety on this swing-based set despite the small size of the group. Clarinetist Tim Laughlin, vocalist/rhythm guitarist Rebecca Kilgore, pianist Tom Roberts, bassist Marty Eggers and drummer Hal Smith all understand prebop jazz quite well. Many of the songs are taken from the swing era (including "Piano Man," "Drum Boogie," "What a Little Moonlight Can Do," "Sing, Sing, Sing, and "Cow Cow Boogie") but in most cases the quintet brings something fresh to the well-known tunes.