Red Jerry

Jerry Lee Lewis - Four Original Mercury Albums (2017) {2CD BGO Records BGOCD1276 rec 1969-1978}
EAC rip (secure mode) | FLAC+CUE+LOG -> 740 Mb | MP3 @320 -> 272 Mb
Full Artwork @ 300 dpi (png) -> 61 Mb | 5% repair rar
© 1969, 1970, 1978, 2017 Smash / Mercury Records / BGO Records | BGOCD1276
Rock & Roll / Rhythm & Blues / Rockabilly / Country / Gospel / Honky Tonk

Digitally remastered two CD set containing four Smash/Mercury Records albums from The Killer, dating from 1969, 1970, 1971 and 1978. Together features Jerry Lee's sister Linda Gail and the album included the US Country Top 10 single 'Don't Let Me Cross Over'. Live At The International and In Loving Memories - The Jerry Lee Lewis Gospel Album are what they say they are Keeps Rockin was his last for Mercury and with producer Jerry Kennedy. Like the others in this package, the album made the US Country charts, and also produced the Country hit 'I'll Find It Where I Can'. His gospel performances of "The Old Rugged Cross" and "The Lily of the Valley" and live renditions of "Jambalaya, " "Take These Chains from My Heart" and "Flip, Flop and Fly" join his country Top 10s "Don't Let Me Cross Over" and "I'll Find It Where I Can, " his spins on "Blue Suede Shoes, " "Roll Over Beethoven, " "Sweet Little Sixteen" and more.

Jerry Lee Lewis - A Whole Lotta Jerry Lee Lewis (2012) {4CD Box Set Salvo Records SALVOBX410}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1.91 Gb | MP3 @320 -> 699 Mb
Full Artwork @ 300 dpi (jpg) -> 62 Mb | 5% repair rar
© 2012 Salvo Records | SALVOBX410
Rock & Roll / Rockabilly / Honky Tonk / Country

Four-disc monument to the Killer, containing no filler… What with one thing and another, it took the Grand Ole Opry a while to invite Jerry Lee Lewis to make his debut. Sixteen years, in fact, from his first hits (“Whole Lotta Shakin’ Going On”, “Great Balls Of Fire” ) to finally ushering the Killer onto the stage of Nashville’s Ryman auditorium in January 1973. The high temple of the country music establishment had their reasons for hesitating. Lewis was not known for family-friendly behaviour, unless one counts as such already having three families by this point – one, to the detriment of his box office, with a cousin he’d wed when she was thirteen. But he’d grown up, surely. He was pushing 40. He’d married for a fourth time, to someone old enough to vote. And he was reinventing himself as a proper country singer – he’d had hits with versions of Kris Kristofferson’s “Me & Bobby McGee”, Jimmie Rodgers’ “Waiting For A Train” and Ray Griff’s “Who’s Gonna Play This Old Piano?”. The Opry prepared to formally welcome the black sheep to the fold.