1967–1970 (widely known as The Blue Album) is a compilation of many of The Beatles' most popular tracks from 1967 to 1970. It was released with 1962–1966 (The Red Album), which covered their earlier period. 1967–1970 made #1 on the U.S. Billboard chart and #2 on the U.K. Album Chart. This album was re-released in September 1993 charting at #4 in the UK.
The cover art shows the band once again looking down the stairwell of EMI's Manchester Square headquarters in London; the same pose, camera angle, setting and photographer (Angus McBean) as used for the cover on the Please Please Me and 1962–1966 albums, which used different photos from the same photo session. The image was originally shot for the Get Back album, which later became Let It Be, but in the end the photograph was not used for that project.
Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973…
Serving to embrace the floral heavens of British pop, this ceremonious edition combines the first ten prized volumes of the acclaimed Piccadilly Sunshine series. Celebrating the obscured artefacts of illustrious noise that emerged from the Great British psychedelic era and beyond, it is the essential guide to the quintessential sound of candy-coloured pop from a bygone age Pop is NOT a dirty word!
Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like "Lady Madonna," "Hey Jude," and "Revolution" – which had originally appeared only as 45s – plus important album tracks like "Lucy in the Sky with Diamonds," "A Day in the Life," "While My Guitar Gently Weeps," and "Come Together," as well as orphaned tracks such as the single versions of "Let It Be" and "Get Back," which had never been on any LP before.