In 1979, two school-kids all hopped-up on punk-rock started their own group in their hometown of Hawthorne, Los Angeles (birthplace of the Beach Boys) and soon found themselves opening shows for notorious scene pioneers Black Flag. Jeff McDonald was fifteen, his brother Steven McDonald only eleven. But that didn’t stop their group from becoming one of the most remarkable, enduring and unique outfits punk-rock ever belched up.
Pianist Freddie Redd has not recorded all that much during his 45-year career, but most of his records have been special events. This particular set has eight of Redd's tightly arranged compositions being performed by a fine sextet that also features tenor-saxophonist Teddy Edwards, altoist Curtis Peagler and trombonist Phil Ranelin.
On Phaseshifter, Redd Kross has stripped away many of the '60s and '70s pop-culture trappings that figured prominently on earlier recordings (covers of Brady Bunch and Charles Manson songs, for instance). As a result, the band (led by brothers Jeffrey and Steven McDonald) have brought their strong melodic sense, psychedelic punk/metal mix, and fine harmonies to the fore on standout tracks like "Lady in the Front Row" and "Monolith."…
After Jeff and Steven McDonald reconvened Redd Kross in 2006 (with the late-'80s line-up of guitarist Robert Hecker and drummer Roy McDonald), they seemed content to play the occasional festival show or short tour. For Redd Kross fans waiting for more music, it looked like 1997's Show World might be it as far as new albums went. The brothers had a trick up their sleeve, though, and in 2012 they released Researching the Blues, a self-produced album that not only continues their stellar recorded legacy but gives it an electric boost…
The title track of the Switchblade Sister EP, one of the band's greatest compositions and a staple of its live set for many years to follow, contained the lyric "swinging like a new phaseshifter." The sounds on the Switchblade Sister EP would bridge the gap from the fuzzy bubblegum of its major-label debut Third Eye, and the hyper-confident after school power pop of its next album Phaseshifter; the title most likely lifted from the aforementioned lyric…
Originally issued in 1982, Born Innocent was the debut full-length release from Redd Kross, a band of suburban L.A. youth fronted by brothers Jeff (guitar, vocals) and Steve McDonald (bass). Aged 18 and 14, respectively, the aspiring punks are aided and abetted here by rhythm guitarist Tracy Lee and drummers Janet Housden and John Stielow as they attack these 16 songs with all the patience of over-stimulated teens and all the subtlety of a slasher flick…
This early recording by pianist Freddie Redd (a straight CD reissue of the original Riverside LP) features Redd's trio of the time, with bassist George Tucker and drummer All Dreares. The CD reissue is highlighted by the 13½-minute title piece, a suite that in its five melodies depicts the jazz life in San Francisco during the era. Redd shows potential both in his writing and his boppish playing. The remainder of the fine set has the group's interpretations of three other Redd originals and a trio of standards. An excellent effort.