Reference Jazz

Percussionist Jim Brock gets first billing on this CD that he co-leads with Van Manakas, but Manakas' guitar is the main solo voice, he contributed all nine originals, and he is largely responsible for the date's success. The music ranges from being classical-oriented to funky to atmospheric, and there is even a slight amount of straight-ahead jazz. Manakas dominates the proceedings and is joined on various selections by Brock (whose colorful sounds from his percussion set uplift the music), keyboardist Gary Marcus, electric bassist Steve Kim, drummer Rick Dior, Phil Thompson on reeds, and Alan Kaufman on accordion. This intriguing set is worth giving a few listens to.

Taking inspiration from Charlie Christian and Lonnie Johnson, T-Bone Walker plays with an exceptionally elegant and relaxed style, the perfect foil for Charles Brown's piano. An innovator of this caliber could only spark emulation. T-Bone Walker's influence can be heard in B.B. King, Clarence "Gatemouth" Brown or Buddy Guy. Even Jimi Hendrix confessed his indebtedness. Today guitarists, like Duke Robillard, Pete Mayes or Otis Grand, still perpetuate his legacy. In 1962 he toured with the very first American Folk Blues Festival (with John Lee Hooker). T-Bone Walker subsequently performed in Europe on a regular basis, with a marked preference for France. In November 1968, Black & Blue took advantage of one of his tours to have him record the album "Feelin’ The Blues," rightly considered to be one of the best he made at the end of his career. We thought it appropriate to add a few titles from his sessions with Jay McShann and Eddie Vinson, recorded a few months later while T-Bone was doing a stint at the Trois Mailletz club in Paris. T-Bone Walker is surely the most jazzy blues musician, while McShann and Vinson are among the most bluesy jazz musicians! It was impossible for this confrontation to produce anything but success.

Acoustic Alchemy continues with double guitar magic on their newest release, their GRP debut. They are recording all original tunes (with the exception of Paul Desmond's "Take Five") and are joined by keyboards, percussion and bass (as well as trombone on two cuts).

Mieko Hirota (弘田 三枝子, Hirota Mieko), a Japanese female singer born in Tokyo on February 5, 1947. Died on July 21, 2020. Her nickname is Mico. Due to her dynamic and growing vocal she was also called "queen of pops"…

Percussionist Airto Moreira, his wife, vocalist Flora Purim, and Joe Farrell (heard on flute, soprano and tenor) had teamed up several times through the years, most notably in the original version of Return To Forever. Farrell would pass away just eight months after this album, but is still heard in fine form on the interesting set.An atmospheric and at times haunting effort.