Reference Jazz

Eddy Palermo - My Latin Feeling
EAC+LOG+CUE | FLAC: 224 MB | Full Artwork: 44 MB | 5% Recovery Info
Label/Cat#: Inakustik "Compact Disc Reference Edition" # inak 8806 CD | Country/Year: Germany 1987
Genre: Jazz | Style: Contemporary, Guitar Jazz

…In the same year he participated in the Jazz Festival of Messina. In 1987, he collaborated with George Garzone on tenor and trumpeter Jimmy Owens. But the meeting is what will have the most significant in 1988 with Joe Pass, who calls him to play as a guest during several concerts in a club in Rome. Inspired by this great jazz guitar virtuoso, talent Eddy Palermo is increasingly oriented towards the "one guitar"…

Stu Goldberg - Fancy Glance
EAC+LOG+CUE | FLAC: 213 MB | Full Artwork: 25 MB | 5% Recovery Info
Label/Cat#: Inakustik "Compact Disc Reference Edition" # inak 8614 CD
Genre: Jazz | Style: Jazz-Funk | Country/Year: Germany 1979 / 1980's

Pianist/composer Stu Goldberg performed alongside some of the most daring artists of the mid-'70s fusion era as part of John McLaughlin's Mahavishnu Orchestra and later embarked on a successful solo career that included film and TV scores as well as albums. Born in Malden, MA, and raised in Seattle, WA, the pianist began his career at a young age, notably performing as a keyboard soloist at the Monterey Jazz Festival at age 17. He then went on to graduate magna cum laude from the University of Utah in composition and piano. Following graduation he joined the Mahavishnu Orchestra in the mid-'70s and remained a member for five years, during which time he performed alongside such legendary fusionists as Al DiMeola, Freddie Hubbard, Wayne Shorter, Billy Cobham, Jack Bruce, Larry Coryell, Alphonse Mouzon, and more…

VA - Jazz En France (2010)
Classic Jazz/Swing/BeBop | Sony Music | MP3 | VBR 192-320 kbps | 02:19:28 | 158 MB

A two-disc compilation of jazz classics from 1920's to our days. All of the performers are known and loved for their impact on jazz in France.
Le jazz a trouvé en France une véritable terre d’accueil auprès des intellectuels et des artistes, et ce dès les Années folles. « L’histoire d’amour avec notre pays est une affaire ancienne » comme l’écrit, dans ses excellentes notes de présentation, Stéphane Ollivier. Ce qui est tout à notre honneur. Mais avec le recul, on se dit que ça allait (presque) de soi. En effet, cette forme musicale, à l’origine vouée au divertissement, a évolué en une grande diversité de thèmes et de styles favorisés par une créativité toujours renouvelée, un sens inné de la réappropriation, même si l’Amérique reste « l’espace imaginaire de référence ».